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M. Night Shyamalan, the director who brought you the world's greatest thrillers (The Sixth Sense, Signs, Unbreakable) on DVD, now creates his most thought-provoking triumph yet... breaking international records and dazzling audiences around the globe! The Village is a smart, edge-of-your-seat chiller crawling with terrifying surprises and frightening twists and turns. An isolated, tight-knit community lives in mortal fear of an oppressive evil inhabiting the forbidden forest just beyond their tiny village. So frightening that no one ventures into the woods...

David Aames (Tom Cruise) appears to lead a charmed life. Handsome, wealthy and charismatic, the young New York City publishing executive's freewheeling existence is enchanting, yet he seems to be missing something. Then, in one night David meets Sofia (Penelope Cruz), the girl of his dreams, but loses her by making a small mistake. Thrust unexpectedly onto a roller-coaster ride of romance, comedy, suspicion, love, sex and dreams, David finds himself on a mind-bending search for his soul and discovers the precious, ephemeral nature of true love.

Winner of two 1995 Academy Awards, including Best Original Screenplay, this masterful, atmospheric film noir enraptured audiences with its complex and riveting storyline, gritty, tour-de-force performances (including an Oscar-winning turn by Kevin Spacey) and a climax that is truly deserving of the word stunning. This "thoroughly engrossing film" (HBO) is so "gripping and diabolically clever" (The Wall Street Journal) that it becomes "a maze you'll be happy to get lost in" (Los Angeles Times)! Held in an L.A.

John Travolta traded in disco duds for a cowboy hat in this corny love story about a working man who breaks up with his girlfriend (Debra Winger), then plays out their relationship's turmoil inside a huge honky-tonk called Gilley's. The story essentially parallels Travolta's prior hit film, Saturday Night Fever, in its blend of ordinary life, incomplete relationships, and personal pride channeled into niche stardom at a neighborhood club.

Cheech & Chong's first cannabis comedy is also their best, a souvenir from the more carefree days before "Just Say No," when people did not feel so defensive about inhaling.

The tropical sights and sounds of Mexico's Pacific coast come alive in this captivating comedy-drama filmed in the isolated seaside village of Yelapa. Join a group of offbeat travelers as they hunt for romantic adventure, hidden cash, a mysterious father, and Carlos Castaneda's legendary shaman, "Don Juan." Personal secrets are revealed and lives forever changed as the travelers fall into dramatic and often hilarious confrontations with Mexican villagers, North American expatriates, jungle wildlife —and each other!

Blaxploitation movies deserve a good spoofing, and Undercover Brother tweaks the subgenre with a few good laughs. But what might have been an Afro-centric Austin Powers (adapted by John Ridley from his Internet film series) is instead a lackluster comedy with one basic joke: "Whitey"--personified as a faceless corporate despot known as "the Man"--has the power, but black folks have soul. With enough funk to make Shaft look passZ, Eddie Griffin plays "U.B." with an oversized 'fro and a firm grasp of comedic possibilities. He's recruited by the B.R.O.T.H.E.R.H.O.O.D.

A high-ranking judge with a vendetta against drugs learns his own daughter is a cocaine addict - a San Diego housewife must suddenly take over her husband's drug dealing business when he is arrested - a Mexican police officer struggles to do the right thing in the midst of corruption. Michael Douglas, Catherine Zeta-Jones and Benicio Del Toro star in Steven Soderbergh's amazing intertwined stories of the failing war on drugs.

James Caan is at his very best as a tough, wisecracking professional thief trapped between Chicago organized crime families and corrupt police in this "gripping drum-tight tale" (Los Angeles Magazine). Michael Mann, who directed Last of the Mohicans and Manhunter and produced "Miami Vice" and "Crime Story," wrote and directed this taut, visually dazzling "heist"-drama called "the best of that breed since The Asphalt Jungle" by New West Magazine.

Melanie leaves her small, Alabama town for the glamour and fame of the New York fashion world. Successful in the business and in love, her boyfriend proposes. It should be a happy moment, but Melanie can't marry him until she gets a divorce from her husband, still in Alabama. As her first marriage is unbeknownst to her NYC friends, Melanie returns to her hometown to demand a divorce. There is something about getting back to your roots and Melanie realizes maybe her fast-track life isn't exactly what she wants after all.