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A lusty and rousing adventure, this calls to mind those glorious costume dramas produced so capably by the old Hollywood studio system--hardly surprising, in that its title character, a de facto Robin Hood in Old California, provided starring vehicles for Douglas Fairbanks and Tyrone Power, the '50s TV hit, and dozens of serials and features. Zorro, a pop-fiction creation invented by Johnston McCulley in 1918, is given new blood in this fast-moving and engaging version, which actually works as a sequel to the story line in the Fairbanks-Power saga, The Mark of Zorro.

The Majestic is an old-fashioned throwback replete with a 1950s B-script and halcyon values like patriotism, true love, and clean fun. Peter Appleton (Jim Carrey) is a Hollywood scriptwriter with a sexy gal, a screenplay under his belt, and his big break on the horizon. But when his name is mistakenly given to the House Un-American Activities Committee, Appleton's dreams of success in the biz quickly unravel.

With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection.

The year is 2058. With Earth's resources dwindling, human survival depends on the Robinson Family - launched into space to colonize "Alpha Prime," the only other inhabitable planet in the galaxy. But when a stowaway sabotages the mission, the Robinsons find themselves hurtling through uncharted space and non-stop adventure! Packed with more than 750 dazzling visual effects, this $70 million adventure does more than give the 1965-68 TV series a state-of-the-art face-lift.

Sam and his older brother Michael are all American teens with all American interests. But after they move with their mother to peaceful Santa Carla, California, things mysteriously begin to change. Michael's not himself lately. And Mom's not going to like what he's turning into. The Lost Boys reshapes vampire tradition, deftly mixing heart pounding terror, rib tickling laughs and a body gyrating rock soundtrack.

Timothy Dalton made his 007 debut in the lean, mean mode of Sean Connery, doing away with the pun-filled camp of Roger Moore's final outings. He establishes his persona right from the gritty pre-credits sequence, in which he hangs from a speeding truck as it barrels down narrow cobblestone streets, battles an assassin mano a mano, and lands in the arms of a bikinied babe. This James Bond is ruthless, tough, and romantic.

Recovering from the box-office disappointment of The Cable Guy, Jim Carrey gave his fans what they wanted in this good-natured and frequently hilarious 1997 comedy. In a vehicle tailor-made for his verbal and physical antics, Carrey plays a lawyer whose penchant for prevarication is tested when his son makes a birthday wish that his father would tell the truth, the whole truth, and nothing but the truth for 24 hours, so help him God!

Got it - and more. Over four specially added minutes put the boys back in action as never before in this director's cut version of Lethal Weapon 2. Riggs wows the pretties at a hotel spa before getting to Getz. Murtaugh receives bad bodywork news from an auto repairman after his beleaguered station wagon sees some Riggs-piloted street action. Plus, feisty Leo shares a newly included scene in which he recalls a suspect's address by complex spins of numbers that...well, no one can tell it like Leo. And no one would follow his lead but Riggs and Martaugh. It's police procedure, Lethal style.

The winning comic finesse of Reese Witherspoon drives Legally Blonde 2: Red White and Blonde. It's astonishing that the sequel could possibly be daffier than the first movie, but Legally Blonde 2 leaves reality behind like an unflattering outfit. Unemployed lawyer Elle Woods (Witherspoon) sets off to our nation's capitol to ban cosmetics testing on animals, after discovering that her beloved chihuahua's own mother is being used as a test subject.

Mr. Bean meets Mr. Bond in Johnny English, a spy spoof that skewers the genre with Rowan Atkinson's trademark brand of veddy-British slapstick. It's a bit half-baked as a wannabe franchise, but Atkinson's creation of a new screen persona is just promising enough to warrant a sequel, despite critics' complaints that Austin Powers had already exhausted the spy-spoof's potential. Poppycock!