Featurettes/Behind-The-Scenes/Documentaries

Like Moliere, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr.

When a famous person, like the nation's first openly gay male city supervisor, inspires an acclaimed book (The Mayor of Castro Street) and Oscar-winning documentary (The Times of Harvey Milk), a biopic can seem superfluous at best. Taking over from Oliver Stone and Bryan Singer, Gus Van Sant, whose previous picture was the more experimental Paranoid Park, directs with such grace, he renders the concern moot.

Leatherheads is a sort of two-fisted homage, simultaneously celebrating the early, unstructured days of professional football and the screwball comedies of the 1930s and 40s. George Clooney stars as "Dodge" Connelly of the Duluth Bulldogs, a wily (if a bit long in the tooth) player whose team goes bankrupt. His solution is to lure a war hero and star of the college-football circuit, Carter "The Bullet" Rutherford (John Krasinski from the American version of The Office) to join the team and, through the sheer force of his celebrity, legitimize professional football.

Swaddled in whalebone and wigs, Keira Knightley steps into the restricted world of the Duchess of Devonshire, a royal lady popular with her subjects but stuck in an unhappy marriage. If this situation recalls Princess Diana (a descendent of the Duchess's family), so much the better for the purposes of director Saul Dibb and company; this film is eager to draw parallels with the unfortunate Lady Di, even if she is never directly mentioned.

Guy Ritchie (Snatch, RocknRolla) attempts to reinvent one of the world's most iconic literary figures as an action hero in this brawny, visually arresting period adventure. Robert Downey Jr. is an intriguing choice for the Great Detective, and if he occasionally murmurs his lines a pitch or two out of hearing range, his trademark bristling energy and off-kilter humor do much to sell Ritchie's notion of Holmes. Jude Law is equally well-equipped as a more active Dr.

For too long, Carrie Bradshaw (Sara Jessica Parker) had been looking for love in all the wrong places...but in all the right shoes. In this much anticipated movie event, Carrie, Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) are back, four years after the hit TV series ended. As they continue to juggle career, relationships, motherhood and life in Manhattan, the girls realize that more than ever, true friendship never goes out of style.

At the height of the 2000 election season, CBS anchor Dan Rather quipped, "The presidential race is crackling like a hickory fire." Director Jay Roach (Austin Powers) recaptures that blaze in his smart HBO docudrama about the thriller in Palm Beach County. Written by actor Danny Strong, Recount bounces between the Sunshine State, Gore's Tennessee headquarters, and Bush's Texas stomping grounds.

"Be Italian!" comes the thundering command from one of the catchiest songs in Nine, and the movie version of this Broadway musical hit is undeniably solid on that point. It's drenched in cool cars, glamorous Italian threads, and cozy Roman neighborhoods, all circa 1962. That, you will note, is the vintage of Federico Fellini's classic film 8 ¬Ω, the source for both the stage show and Rob Marshall's frantic musical picture.

The sparks between Richard Gere and Diane Lane--so memorable in Unfaithful--smolder again in the sweepingly romantic Nights in Rodanthe. Based on a novel by Nicholas Sparks, the film is unapologetically sentimental, and enjoyable completely on its own terms--a small gem of an escape, complete with storm-tossed coastline. Lane plays Adrienne, a wronged wife whose husband (Christopher Meloni) was a heel, but begs for another chance. She goes to clear her head at a remote North Carolina inn, where the sole occupant is Paul, a doctor, played by Gere, who is battling his own demons.

Ben Stiller wrestles with extinct beasts, historical figures, and meddling monkeys in Night at the Museum: Battle of the Smithsonian, the sequel to the popular 2006 special-effects extravaganza. This time, the ancient Egyptian tablet (the one that brings all the exhibits at New York's Museum of Natural History to life at night) is being shipped off to the Smithsonian in Washington, D.C.--which, as the movie diligently tells us, is the largest museum in the world.