Interviews

Since Adolf Hitler had the audacity to borrow his mustache from the most famous celebrity in the world--Charlie Chaplin--it meant Hitler was fair game for Chaplin's comedy. (Strangely, the two men were born within four days of each other.) The Great Dictator, conceived in the late thirties but not released until 1940, when Hitler's war was raging across Europe, is the film that skewered the tyrant. Chaplin plays both Adenoid Hynkel, the power-mad ruler of Tomania, and a humble Jewish barber suffering under the dictator's rule.

Few films have defined a generation as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chicness has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs. Robinson.

Bill Murray, Dan Aykroyd and Harold Ramis star in this supernatural comedy classic that will have you howling! When the university downsizes the parapsychology department, Doctors Venkman (Murray), Stantz (Akroyd) and Spengler (Ramis) make the leap from scientists to Ghostbusters, investigators and exterminators of paranormal pests! The bewitching Dana Barrett (Sigourney Weaver) discovers her refrigerator has become a portal into the spiritual dimension, our heroes then come face-to-face with an ancient evil force with plans to raise hell in Manhattan!

Gosford Park finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly.

Dry as ice, dripping with deadpan witticisms, only Sean Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge.

Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film).

A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe.

Put together a gloomy New England house, a dark night and four of America's legendary leading men and you have all the ingredients for the classic Ghost Story, a spellbinding motion picture based on the bestseller by Peter Straub. Co-starring Patricia Neal, Ghost Story is about the Members of the Chowder Society: Fred Astaire, Melvyn Douglas, Douglas Fairbanks, Jr. and John Houseman, who get together each week to share tales of horror. Soon, however, a secret terror invades the group, and one by one, they die mysteriously because of a real life ghost story that is part of their past.

Three days in the summer of 1863, at a place called Gettysburg. Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importance only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of life, death, and unexpected heroism.

A group of unemployed Yorkshire steelworkers hopes to replenish their empty wallets and boost their flagging morale by following in the footsteps of the Chippendale's strippers. These guys are hardly what you would think of as buff, and few can even dance. They simply take these problems in stride, because these are men with a plan--displaced, unemployed, and feeling suffocated by the women in their lives, they just want to earn a little respect.