Road to Perdition weaves a mesmerizing tale of a father and son bound together by tragedy and betrayal. On an unforgettable journey of honor, vengeance and redemption, they will confront overwhelming odds - and forge an indestructible bond. Hailed for the powerhouse performances of its stars and the stunning impact of its story, Road to Perdition is an electrifying experience that will stay with you for a lifetime.
There's a time for playing it safe and a time for...Risky Business. Meet Joel Goodsen. Industrious, college-bound 17-year-old. Responsible, trustworthy son. But he's been good too long. Joel's parents are away and he's in charge of the house. They trust him. Maybe they shouldn't. "One of the best American comedies of recent years" (Roger Ebert), Risky Business slyly explores the teen dilemma of growing up good-hearted but guilt-ridden. In his starmaking role as Joel, Tom Cruise is a charmer with conscience that foreshadows Jerry McGuire.
Philip Kaufman's intimate epic about the Mercury astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that Apollo 13 would later become; The Right Stuff is not only just as thrilling, but it is also a bigger and better movie.
He's back! Superstar Sylvester Stallone is John Rambo, the ultimate action hero, in this explosive Oscar-nominated sequel to First Blood that boasts a riveting screenplay by Stallone and James Cameron (Titanic). Although the Vietnam War is officially over, Rambo remains the perfect fighting machine. But his survival skills are tested with a vengeance on a top-secret mission that takes him back to the jungles of Vietnam in search of American POW's.
The battle rages on as superstar Sylvester Stallone detonates the third and most explosive in the action-packed Rambo trilogy. Combat has taken its toll on John Rambo (Stallone), but he has finally begun to find inner peace inside a monastery - until his friend and mentor Col. Sam Trautman (Richard Crenna) shows up to ask for his help on a top-secret mission to Afghanistan. A war-weary Rambo declines, but when Trautman is captured, Rambo erupts into a one-man firestorm to rescue his former commanding officer and decimate the enemy.
Private Benjamin's immovable object is pampered Judy Benjamin, a wedding night widow. The irresistible force is a three-year, expense-paid hitch in the U.S. Army. What's Judy doing in combat boots and fatigues? A recruiter seductively describes today's "new Army" and gullible Judy takes the bait. Goldie Hawn is a private first class in her Oscar-nominated role of Judy, a fish-out-of-water coming of age via the rigors of basic training and a European assignment.
Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky.
In the emotionally-charged adventure The Patriot, Academy Award-winner Mel Gibson stars as Benjamin Martin, a reluctant hero who is swept into the American Revolution when the war reaches his home and threatens his family. A hero of the fierce French and Indian conflict, Martin had renounced fighting forever to raise his family in peace.
Wall Street titan Steven Taylor seems like a devoted husband. He isn't. Beautiful Emily Bradford Taylor seems like a faithful wife. She isn't. And when Steven hires Emily's lover to kill her, it seems like A Perfect Murder. It isn't. In fact, little is what it seems in this sleek thriller. Michael Douglas, Gwyneth Paltrow and Viggo Mortensen star in A Perfect Murder, inspired by the play Dial M For Murder, filmed by Alfred Hitchcock in 1954. Fans of that classic will be in for a lot of surprises. So will Steven. At each unexpected twist in his "perfect" plot, he improvises brilliantly.
Highly entertaining albeit thin journalism thriller, this examination of a 24-hour period in the life of a New York Post-ish tabloid focuses on a hard-working metro editor (a pitch-perfect Michael Keaton) thinking of going to a loftier job at a rival paper. Edgy, "NYC as the center of the universe" full of sweat and grit, the paper debates the hot story of the day: a racial shooting. Like most movies from Ron Howard's universe (Parenthood, Backdraft), it's always just a movie, full of dramatic, over-the-top setups instead of the genuine article.
