Trailers/TV spots

Scottish Ewan McGregor and Irish Colin Farrell play two Cockney brothers who get in over their heads when a wealthy relative asks for a favor. Woody Allen's sleek thriller Cassandra's Dream begins in innocent times: Ian (McGregor) and Terry (Farrell) buy a sailboat and name it Cassandra's Dream. But soon Terry falls afoul of gambling debts and Ian falls head over heels for a sultry actress who doesn't take him seriously, leading them to ask their uncle Howard (Tom Wilkinson) for money, which he's happy to give them--if they'll get rid of a man who's going to testify against him.

Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust.

Ah, Barbra. Of all her onscreen personas, she sparkles in none as she does in her role as 1930s comedian Fanny Brice in the musical Funny Girl. Portraying the life of this star of stage and radio, Brice preens and prances and sings, captivating her audience both onscreen and off. Fanny Brice started life on the Lower East Side of New York, the daughter of a Jewish saloon owner. Not the prettiest girl around, Brice still managed to quickly rise to stardom as a performer in the Ziegfield Follies.

Hailed as "one of the year's most intriguing dramas" (Claudia Puig, USA Today), The Visitor stars Richard Jenkins (Six Feet Under) in a "perfect performance" (Lisa Schwarzbaum, Entertainment Weekly) as Walter, a disaffected college professor who has been drifting aimlessly through his life. When, in a chance encounter on a trip into New York, Walter discovers a couple has taken up residence in his apartment in the city, he develops an unexpected and profound connection to them that will change his life forever.

John Schlesinger's solid adaptation of Thomas Hardy's novel sees three rival suitors vying for the affections of the beautiful Bathsheba Everdene (Julie Christie decked out in a variety of bonnets and frilly dresses), who has just inherited a farm. The men in her life are stout, whiskered yeoman Gabriel Oak (Alan Bates), an impoverished local farmer; neurotic, repressed squire William Boldwood (Peter Finch); and handsome rascal Sgt. Troy (Terence Stamp), who breaks women's hearts for a hobby.

Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity, and loving, responsible parenthood.

This 1993 international hit by Ang Lee is a funny and poignant story of a gay, Taiwanese-American man who goes to some lengths to fool his visiting family that he's actually straight. The results are far more complicated and entertaining than anyone could have guessed. The film seems all the more rich now since Lee has become a major Hollywood director: that same sensitivity and mild bemusement he brought to such stories of manners as Sense and Sensibility and The Ice Storm in recent years are in full bloom in this earlier work.

A different sort of Sergio Leone Western, this one takes place during the Mexican Revolution, with more politics than usual. But there's still plenty of action, with Rod Steiger as a cigar-chomping peasant who robs banks to liberate political prisoners, and James Coburn as an Irish terrorist trying to flee from his bitter past. They team up to thwart a sadistic officer and help the cause; redemption for the more subdued Coburn provides added depth.

Among the finest Western-made movies about the East, Bernardo Bertolucci's epic traces the emergence of modern China through the life of one man. After taking on Italian history in The Conformist and 1900, the director was well placed to tackle the story of Pu Yi (played by John Lone as an adult). The narrative proceeds along two tracks: the emperor's post-Forbidden City existence and his cloistered upbringing. Educated by Scotland's Reginald Johnston (Peter O'Toole, in a role slated for Sean Connery), the monarch develops into a sophisticated, if powerless figure.

Directed by Go Ohara (the action director of Death Trance), Geisha Assassin follows the story of Kotono (newcomer Minami Tsukui), a beautiful geisha who inherits a secretly-guarded sword and uses it to pursue Hyoe, the man who killed her father. Throughout her quest to face-off against Hyoe, Kotono battles Japan s most notorious female ninjas and assassins only to learn a hidden secret.