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Ferris is a street-wise kid who knows all the tricks. Today he decides to take the day off school. When Ferris takes the day off, so must his best friends, Cameron and Sloane. Cameron is reluctantly persuaded to borrow his father's Ferrari (which is never used). And together they hatch a plan to get Sloane out of class. Suspicious principal Ed Rooney knows all about Ferris, but can never catch him. Ferris' sister Jeanie is also frustrated that Ferris always gets away with his tricks and she doesn't. Furthermore, Ferris is an 'angel' in his parents eyes.

Everybody important from the first film, including the writing-directing team of Charles Shyer and Nancy Meyers, regroups for this sequel involving a pair of pregnancies. Steve Martin's patriarch has a crisis when his married daughter (Kimberly Williams) is with child, and an even bigger one when his middle-aged wife (Diane Keaton) announces that another bambino is on the way.

In this hilarious update of the much-loved Hollywood classic, Steve Martin turns in a winning performance as George Banks, the befuddled father who has a hard time letting go of his young daughter (Williams) when she unexpectedly announces her plans to wed. Tickling funnybones and touching hearts of critics and audiences alike, this entertaining treat chronicles George's hysterical trials and tribulations leading up to the big event. Diane Keaton shines as George's patient, level-headed wife, while funnyman Martin Short lights up the screen as the off-the-wall wedding consultant.

Freeways are clogged. Terror stalks our cities. At shops and restaurants, the customer is seldom right. The pressure of big-city life can anger anyone. But Bill Foster is more than angry. He's out to get even. "I'm going home," Foster says as he abandons his gridlocked car on the hottest day of the year. Instead, he walks straight into an urban nightmare by turns absurdly funny and shatteringly violent. Academy Award winner Michael Douglas is Foster, an ordinary guy at war with the frustrations of daily living.

Steven Seagal gets killed during the first 20 minutes of this enjoyable thriller, so the movie scores points for ingenuity because it immediately improves when you realize that Seagal's role is just a heroic cameo. That leaves Kurt Russell to star as an American intelligence expert who (due to Seagal's untimely demise) finds himself leading a strike force against Islamic terrorists who have seized in-flight control of a 747 jetliner with 400 passengers.

Woody Allen pushes the frontier of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium, Allen reveals himself as a filmmaker of "wit, sophistication, and comic insight." - Cue. Allen rises to the occasion with several hysterical vignettes that probe sexuality's stickiest issues!

Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well.

Philo Beddoe is your regular, easygoing, truck-driving guy. He's also the best barroom brawler west of the Rockies. And he lives with a 165-pound orangutan named Clyde. Like other guys, Philo finally falls in love - with a flighty singer who leads him on a screwball chase across the American Southwest. Nothing's in the way except a motorcycle gang, two sneaky off-duty cops and a legendary brawler Tank Murdock. Every Which Way But Loose was a change of pace for Clint Eastwood - and it proved to be one of his most popular films.

Following the events in "Beneath the Planet of the Apes", Cornelius and Zira flee back through time to 20th Century Los Angeles, where they face persecution similar to what Taylor suffered in the future, and discover the origins of the stream of events that will shape their world. The importance of this movie is clear at the end, as we realize how the Planet of the Apes began.

One of Clint Eastwood's two most important filmmaking mentors was Don Siegel (the other was Sergio Leone), who directed Eastwood in Dirty Harry, Coogan's Bluff, Two Mules for Sister Sara, and this enigmatic, 1979 drama based on a true story about an escape from the island prison of Alcatraz. Eastwood plays a new convict who enters into a kind of mind game with the chilly warden (Patrick McGoohan) and organizes a break leading into the treacherous waters off San Francisco.