Kumar (Siddharth) works in an IT firm and is a shy, introvert who finds it difficult to strike a conversation with a female. He is all in awe of his colleague (Ganesh Venkartram), a Casanova and smart achiever for whom all the women fall for. Enters Sanjana (Hansika) and our hero is smitten by her beauty. To improve his self-confidence and be smart he takes the help of a love guru Mokia (Santhanam) who advices him on how to win over Sanjana.
Tony Leung (Hero, Red Cliff) and Leslie Cheung (Knock Off) play a pair of lovers living out the waning days of their relationship as expatriates in Buenos Aires. Lusty tango bars, the salsa music of the La Boca sidewalks, and a hypnotic visit to the nearby Iguazu Falls give further dimension to the tensions growing between the two lovers. From Director Wong Kar-Wai (Chungking Express, My Blueberry Nights, Fallen Angels). Note: filed under "World of Wong Kar Wai" in Drama.
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a colleague he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape of contemporary Hong Kong, he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world's attention in his own unconventional ways. Note: filed under "World of Wong Kar Wai" in Drama.
Two stories of heartbroken police officers trying to move on from ex-lovers. First story has Cop 223 (Takeshi Kaneshiro) and his intertwined fate with a mysterious woman in a blonde wig. Second story with Cop 663 (Tony Leung Chiu-wai) has his attention roused by a food stand employee Faye (Faye Wong). Anything goes in Wong's gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas' "California Dreamin'" into tokens of romantic longing.
Wong Kar-Wai's follow up to 'As Tears Go By' (1988) marked a turning point in Eastern cinema, straddling both 'art house' and action features. Set in Hong Kong in 1960 during a sweltering summer it follows Yuddi's (Leslie Cheung) search for some meaning in his life. He has affairs with two beautiful women and hangs out with his friends, before leaving for the Philippines in search of his mother. Note: filed under "World of Wong Kar Wai" in Drama.
Already stretched to breaking in a loyalty tug of war between Triad bosses and his loose cannon partner, Wah (Andy Lau - Fulltime Killer, Days of Being Wild), a rising star in the HK underworld, finds himself saddled with beautiful, ailing country cousin Ngor. As an escalating test of wills with a stubborn debtor explodes into bloodshed and a mob turncoat instigates a ruthless police crackdown, Wah's growing fascination with Ngor becomes his last chance for escape from a violent past and a dubious future. Note: filed under "World of Wong Kar Wai" in Drama.
Vishal Bhardwaj's adaptation of William Shakespeare's "Hamlet", Haider - a young man returns home to Kashmir on receiving news of his father's disappearance. Not only does he learn that security forces have detained his father for harboring militants, but that his mother is in a relationship with his very own uncle. Intense drama follows between mother and son as both struggle to come to terms with news of his father's death. Soon Haider learns that his uncle is responsible for the gruesome murder, what follows is his journey to avenge his father's death.
She is one of the most transformative yet misunderstood women in history, alternately vilified as a sinner and canonized as a saint. For the first time, the incredible story of Mary Magdalene is told through her own eyes. In the first century A.D., the free-spirited Mary (Rooney Mara) flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher Jesus (Joaquin Phoenix).
One of the world's greatest dramas is turned on its head through a bold, new perspective in Ophelia. Set in medieval Denmark and spoken in a modern tongue with a poetic twist, it recalibrates the classic Shakespearean tragedy of Hamlet so that its unspoken, complex heroine may share her own story. As a rebellious and motherless child, Ophelia (Daisy Ridley, Star Wars: The Rise of Skywalker) is taken into Elsinore Castle by Queen Gertrude (Naomi Watts, Mulholland Drive) as one of her most trusted ladies-in-waiting.
The star of Taken and The A-Team jumps back into action with brute force! Liam Neeson plays Dr. Martin Harris, who awakens after a car accident in Berlin to discover that his wife (January Jones) suddenly doesn’t recognize him and another man (Aidan Quinn) has assumed his identity. Ignored by disbelieving authorities and hunted by mysterious assassins, he finds himself alone, tired and on the run. Aided by an unlikely ally (Diane Kruger), Harris plunges into a deadly mystery forcing him to question his sanity, his identity and just how far he’s willing to go to uncover the truth.
