"Curse of the Werewolf" features Oliver Reed in the title role. Set in Spain, Reed plays Leon a young man adopted when his mother a mute servant girl dies giving birth. We know very little about the father except that the girl was raped. As a youth Leon exhibits the traits of the werewolf while hunting and the curse continues to haunt him as he grows older.
"The Evil of Frankenstein" allowed Hammer to adapt Jack Pierce's classic monster make up for this film when Universal agreed to finance it. Cushing plays the doctor once again. It's one of the lesser Frankenstein films and the only one featuring Cushing not directed by Terry Fisher. While it isn't the best of the Frankenstein films, Freddie Francis (cinematography on one of my favorite classic horror films "The Innocents" and other films such as "The Elephant Man".
Cult comic actor Steve Carell--long adored for his supporting work on The Daily Show and in movies like Bruce Almighty and Anchorman--leaps into leading man status with The 40 Year-Old Virgin. There's no point describing the plot; it's about how a 40 year-old virgin named Andy (Carell) finally finds true love and gets laid. Along the way, there are very funny scenes involving being coached by his friends, speed dating, being propositioned by his female manager, and getting his chest waxed.
Fran Rubel Kuzui's 1992 tongue-in-cheek vampire comedy is sugarcoated horror, an unusual mix of the cute and scary, with a splash of postmodern pop nonsense to give culture critics something to think about. Kristy Swanson plays a Valley Girl who learns she belongs to a line of ancient vampire killers. After training under the watchful eye of a mentor (Donald Sutherland), she becomes a spandex-wearing, kung-fu kicking, stake-stabbing babe and the mortal enemy of a narcissistic master vampire (Rutger Hauer).
Movie-kinetics genius. Kung Fu Hustle takes the gleeful mayhem of Hong Kong action movies, the deadpan physical humor of silent comedies, and the sheer elasticity of Wile E. Coyote cartoons and fuses them into a spectacle that is simple in its joys and mind-boggling in its orchestration. A run-down slum has been poor but peaceful until a bunch of black-suited gangsters called the Axe Gang show up to cause trouble--and discover that, hidden among the humble poor, are three kung fu masters trying to live an ordinary life.
In Wong Kar Wai's quasi-sequel to In the Mood for Love, 2046 is a hotel room, a futuristic story, and a state of mind. Tony Leung returns as Chow, but perhaps not the same Chow who appeared in the first film. Starting three years later in 1966, we see Chow on various Christmases as he lives, loves, and writes in a hotel and nearby restaurants. Although he is less sensitive and more of a ladies man now, Chow's love life always seems to exceed his grasp. Whether the character is the same (the director calls this an "echo" of the first movie) might be trivial.
With Vince Vaughn and Owen Wilson as a pair of brazen wedding crashers, this buddy/romantic comedy milks a few big laughs from its foolproof premise. Under the direction of David Dobkin (who previously worked with Wilson on Shanghai Knights), the movie ranges from bawdy romp to mushy romance, and that tonal identity crisis curtails the overall hilarity. But when the well-teamed costars are firing on all pistons with fast-paced dialogue and manic situations, belly laughs are delivered at a steady clip.
Serenity offers perfect proof that Firefly deserved a better fate than premature TV cancellation. Joss Whedon's acclaimed sci-fi Western hybrid series was ideally suited (in Browncoats, of course) for a big-screen conversion, and this action-packed adventure allows Whedon to fill in the Firefly backstory, especially the history and mystery of the spaceship Serenity's volatile and traumatized stowaway, River Tam (Summer Glau).
Walker (Lee Marvin) strides through Los Angeles with the steel-eyed stare of a stone-cold killer, or perhaps a ghost. Betrayed by his wife and best friend, who gun him down point-blank and leave him for dead after a successful heist, Walker blasts his way up the criminal food chain in a quest for revenge. Did he survive the shooting or return from the grave, or is it all a dying dream?
No computer graphic can ever surpass what a real human body can do--and what the body can do is on spectacular display in Ong-Bak, a Thai action movie starring the lithe and flexible Tony Jaa. When the head is stolen from a holy statue in Jaa's rural village, he goes to Bangkok to get it back. Of course, it just so happens that the thief is connected to a bar where criminal big shots gamble over bare-knuckle brawls, and Jaa is--despite his virtuous efforts--drawn into the game.
