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For $1,000 a day, vacationers can indulge whims at the theme park called Westworld. They can bust up a bar or bust out of jail, drop in onia brothel or get the drop on a gunslinger. It's all safe: the park's lifelike androids are programmed never to harm the customers. But not all droids are getting with the program. Michael Crichton (Jurassic Park, Twister) wrote and made his directing debut with this futuristic thriller that heralded moviemaking's future as the first feature to use digitized images.

Yes, that is Bill Paxton as Ilan Mitchell-Smith's militaristic big brother. And that's Robert Downey Jr. as one of the in-crowd jerks who makes nerds Mitchell-Smith and Hall's lives miserable. Fortunately, this is a John Hughes comedy and our smart nerds create the perfect woman, Lisa (Kelly LeBrock), using a computer and voodoo. Lisa is a willing sex toy, has magical powers, and just wants to help the boys get even and meet nice babes. She even cleans up. The fantasy ebullience of Hughes is given full rein here and that's good and bad (mostly good).

You are cordially invited to fall in love with one of the funniest romantic comedies of the year! It's 1985 and Robbie Hart (Adam Sandler) is the ultimate master of ceremonies...until he is left at the altar at his own wedding. Devastated, he becomes a newlywed's worst nightmare - an entertainer who can do nothing but destroy other people's weddings. It's not until he meets a warm-hearted waitress named Julia (Drew Barrymore) that he starts to pick up the pieces of his heart.

Michael Douglas, Kathleen Turner, and Danny DeVito reunited for a third time to fabulous effect in this dark, disturbing comedy of martial trauma and revenge, which couldn't be more different from their sunnier outings in Romancing the Stone and The Jewel of the Nile.

After returning from World War II, a young G.I. named Paul Sutton (Keanu Reeves) finds he has little in common with the wife he left behind. Disillusioned, he heads north to work as a traveling salesman. There he meets the daughter (Anita Sanchez-Gijon), of a wealthy vineyard owner (Giancarlo Giannini). On her way home, she's terrified of what her domineering father will do when he learns she's unmarried and pregnant. The young man gallantly offers to help by posing as her husband for one night, unaware that doing so will change both their lives forever.

One of the funniest films in many a moon was hiding at art house theaters in 1998. Former Saturday Night Live comedian and Spinal Tap member Christopher Guest creates the ultimate parody of small-town dramatics, Waiting for Guffman. Corky St. Claire (Guest), an overwhelming drama director hiding out in Blaine, Missouri, thinks he has found the vehicle to put him back on Broadway: the city's 150th anniversary play, Red, White, and Blaine. As rehearsals start, we learn of the town's history ("the stool capital of the world") including a brush with a UFO.

This second ironic send-up of the old Sherwood Schwartz sitcom is even funnier than The Brady Bunch Movie. Shelley Long and Gary Cole return as the married heads of the merged family known as the Bradys, and Christopher Daniel Barnes and Christine Taylor reprise their roles as eldest stepsiblings Greg and Marcia. As with the first film, the clever premise finds the Brady clan caught in a kind of '70s time warp, while the rest of the world has moved well into the '90s. Greg is still looking for a "groovy girlfriend," Mr.

John Travolta traded in disco duds for a cowboy hat in this corny love story about a working man who breaks up with his girlfriend (Debra Winger), then plays out their relationship's turmoil inside a huge honky-tonk called Gilley's. The story essentially parallels Travolta's prior hit film, Saturday Night Fever, in its blend of ordinary life, incomplete relationships, and personal pride channeled into niche stardom at a neighborhood club.

Jonathan Kaplan (The Accused) directed this creepy thriller about an outwardly friendly cop (Ray Liotta) who attaches himself to a married couple (Kurt Russell, Madeleine Stowe) whom he helps during a crisis. In short order, he's revealed to be a psychopath who wants Russell's wife, but the film is about more than Liotta's mental state. A bold script and Kaplan's astute direction peel away the layers of masculine identity in the male leads and underscore the painful conflicts good men feel when faced with classic territorial challenges.

John Candy stars in this John Hughes comedy as an idle, good-natured bachelor who's left in charge of his nephew and nieces during a family crisis. Unaccustomed to suburban life, fun-loving Uncle Buck soon charms his younger relatives Miles and Maizy with his hefty cooking and his new way of doing the laundry. But his carefree style doesn't impress everyone, including Tia (Jean Kelly), his rebellious teenage niece, and Chanice (Amy Madigan), his impatient girlfriend. Uncle Buck is the last person you'd think of to watch the kids.