Oscar Nominee: Best Costume Design

You wouldn't think a movie could look like a Vermeer painting, but Girl with a Pearl Earring is filmed with an amazing range of luminous glows that evoke the Dutch artist's masterworks. Of course, it helps that much of the movie centers on Scarlett Johansson (Lost in Translation, Ghost World), whose creamy skin and full lips have a luminosity of their own. Johansson plays Griet, a maid in the household of Johannes Vermeer (Colin Firth, Bridget Jones' Diary, Fever Pitch), who finds herself in a web of jealousy, artistic inspiration, and social machinations.

If you spliced Charles Addams, Dr. Seuss, Charles Dickens, Edward Gorey, and Roald Dahl into a Tim Burtonesque landscape, you'd surely come up with something like Lemony Snicket's A Series of Unfortunate Events. Many critics (in mostly mixed reviews) wondered why Burton didn't direct this comically morbid adaptation of the first three books in the popular series by Daniel Handler (a.k.a.

Jamie Foxx's uncannily accurate performance isn't the only good thing about Ray. Riding high on a wave of Oscar buzz, Foxx proved himself worthy of all the hype by portraying blind R&B legend Ray Charles in a warts-and-all performance that Charles approved shortly before his death in June 2004.

Half of the characters in this 1988 John Landis potboiler seem to be played either by Eddie Murphy or costar Arsenio Hall, swaddled in elaborate Rick Baker makeup appliances that render them unrecognizable but also weirdly immobile. As a pampered African prince who journeys incognito to Queens, New York, to find a bride who will love him just for himself, Murphy manages to look smug and naive at the same time.

Steven Spielberg, proving he's one of the few modern filmmakers who has the visual fluency to be capable of making a great silent film, took a melodramatic, D.W. Griffith-inspired approach to filming Alice Walker's novel. His tactics made the film controversial, but also a popular hit.

Two cultures collide in this vast, lavish and truly spectacular film. Adapted from James A. Michener's Pulitzer Prize-winning novel and nominated for seven Oscars, this "majestic, gorgeously framed epic" is "adventuresome picture-making, a credit to the industry" (The Film Daily) and riveting entertainment. They came to bring God, but instead brought disease and destruction. The Rev.

Blake Edwards's delightful Victor/Victoria may be one of the last of the great, old-style movie musical comedies--it is so good, it was turned into a hit Broadway stage musical years later. And both versions starred Edwards's wife Julie Andrews (the former Mary Poppins) in the title role--as Victor and Victoria. She's a down-and-out singer who hooks up with a flamboyantly gay theatrical veteran (Robert Preston), and together they become the toast of 1934 Paris by dreaming up a provocative nightclub act in which Victoria assumes the identity of a man in drag.

As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualize the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison.

In 18th-century France, a cruel and calculating playboy, Valmont, makes a malicious wager with the equally wicked Madame de Merteuil: Valmont must dishonor the married Madame de Tourvel by sleeping with her. If Valmont succeeds, he gets the privilege of Merteuil's bed as well. But when Valmont sets out on his task, the unexpected happens--he falls in love with Tourvel! And now Merteuil will stop at nothing to destroy Valmont's newfound passion.

For sheer pageantry and spectacle, few motion pictures can claim to equal the splendor of Cecil B. DeMille's 1956 remake of his epic "The Ten Commandments." Filmed in Egypt and the Sinai with one of the biggest sets ever constructed for a motion picture, this version tells the story of the life of Moses, (Heston) once favored in the Pharaoh's household, who turned his back on a privileged life to lead his people to freedom. With a rare on-screen introduction by Cecil B. DeMille himself.