There are only so many filmmakers fearless or foolhardy enough to tackle a challenging novel, like Yann Martel's Life of Pi, but adaptation specialist Ang Lee (Brokeback Mountain) was well positioned to take it on. As a structuring device, he uses an interview between a journalist (Rafe Spall) and Pi Patel (The Namesake's Irrfan Khan), a Montreal immigrant with an unusual back story.
Director Paul Greengrass has made a career out of not holding back, with a series of films (including United 93 and The Bourne Supremacy/Ultimatum) that forcibly propel the audience out of bystander mode and into a visceral duck-and-cover reaction. (If he were a history teacher, his students would constantly be picking old gum out of their hair.) Captain Phillips, Greengrass's collaboration with a rarely better Tom Hanks, shows the filmmaker further refining his style, telling a true-life story of heroism with an immediacy that puts most movies based on fact out to staid pasture.
A fast-paced, beautifully executed film, The Rebel works hard at being an epic martial arts picture set in 1920's French-occupied Vietnam. While that may sound like a bit much, director Truc Charlie Nguyen does a formidable job creating a plausible scenario with some awesome fighting sequences. While not quite epic, the film is spot on as an action thriller.
It's amazing that Moneyball makes baseball statistics seem fascinating--but that's because it's not really a movie about numbers, and it's not really a movie about baseball, either. It's about what drives people to take risks--in this instance, Billy Beane (played by Brad Pitt), general manager of the Oakland A's, who's just had his best players poached by teams that can afford to pay a lot more.
Michael Oher (Quinton Aaron) knows little about family. Less about football. What the homeless teen knows are the streets and projects of Memphis. Well-to-do Leigh Anne Tuohy (Sandra Bullock) knows little about his world. Yet when she and Michael meet, he's found a home. And the Tuohys have found something just as life-changing: a beloved new son and brother. This real-life story of family and of Michael's growth into a blue-chip football star will have you cheering with its mix of gridiron action and heartwarming emotion.
After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora.
This adaptation of E.M. Forster's mysterious tale of British racism in colonial India turned out to be master director David Lean's final film. Subtle and grand at the same time, Lean's adaptation is faithful to the book, rendering its blend of the mystical and the all-too human with exquisite precision. Judy Davis plays a young British woman traveling in India with her fiancé's mother. While visiting a tourist attraction, she has a frightening moment in a cave--one that she eventually spins from an instant of mental meltdown into a tale of a physical attack that ruins several lives.
Ah, Barbra. Of all her onscreen personas, she sparkles in none as she does in her role as 1930s comedian Fanny Brice in the musical Funny Girl. Portraying the life of this star of stage and radio, Brice preens and prances and sings, captivating her audience both onscreen and off. Fanny Brice started life on the Lower East Side of New York, the daughter of a Jewish saloon owner. Not the prettiest girl around, Brice still managed to quickly rise to stardom as a performer in the Ziegfield Follies.
When a famous person, like the nation's first openly gay male city supervisor, inspires an acclaimed book (The Mayor of Castro Street) and Oscar-winning documentary (The Times of Harvey Milk), a biopic can seem superfluous at best. Taking over from Oliver Stone and Bryan Singer, Gus Van Sant, whose previous picture was the more experimental Paranoid Park, directs with such grace, he renders the concern moot.
The Dark Knight arrives with tremendous hype (best superhero movie ever? posthumous Oscar for Heath Ledger?), and incredibly, it lives up to all of it. But calling it the best superhero movie ever seems like faint praise, since part of what makes the movie great--in addition to pitch-perfect casting, outstanding writing, and a compelling vision--is that it bypasses the normal fantasy element of the superhero genre and makes it all terrifyingly real. Harvey Dent (Aaron Eckhart) is Gotham City's new district attorney, charged with cleaning up the crime rings that have paralyzed the city.
