Oscar Nominee: Best Music, Original Dramatic Score

Paula Smith (Greer Garson) is the secretary of industrialist Charles Rainier (Ronald Colman). She's also his wife, which Charles does not know. Shell-shocked during World War I, he doesn't recall his days as her husband, John Smith. Advised not to endanger Charles' fragile mental state, Paula cannot openly reveal her identity. She must find other ways to help him remember their life together. From the novel by James Hilton (Goodbye, Mr. Chips, Lost Horizon) comes one of the great sentimental romance movies. Garson's Paula, alongside her same-year triumph as Mrs.

Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister.

Stanley Kubrick was only 31 years old when Kirk Douglas (star of Kubrick's classic Paths of Glory) recruited the young director to pilot this epic saga, in which the rebellious slave Spartacus (played by Douglas) leads a freedom revolt against the decadent Roman Empire. Kubrick would later disown the film because it was not a personal project--he was merely a director-for-hire--but Spartacus remains one of the best of Hollywood's grand historical epics.

When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds.

A free-thinking rebel goes hand-to-hand with a tough chief nurse and the bureaucratic mental hospital she represents. His inflammatory energy and lust for life transform the other patients and shake the system to its foundations. Winner of all five top Academy Awards: Best Picture, Director, Actor, Actress and Screenplay. Special Edition includes 48 minute documentary featuring actors, moviemakers and writer Ken Kesey recounting the history of the original novel to its Stage and Movie adaptations.

Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all.

Some of the greatest masterpieces in cinema history, "The Godfather Collection" is the saga of the generations of successive power within the Corleone crime family, told in three films of staggering magnitude and vision, masterfully exploring themes of power, tradition, revenge and love. The Godfather (1972, 175 min.) - Adapted from Mario Puzo's best-selling novel, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar-winning role as the patriarch of the Corleones.

Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery.