Oscar Nominee Saoirse Ronan lights up the screen as Eilis Lacey, a young Irish immigrant navigating through 1950s Brooklyn. Although her initial homesickness soon gives way to romance, when Eilie's life is disrupted by news from her hometown, she is to choose between two countries and two men on opposite sides of the world. Based on the best-selling novel, Brooklyn is a warm and wonderful story about falling in love... and finding your way home.
Andrew Neiman (Miles Teller) is an ambitious young jazz drummer, single-minded in his pursuit to rise to the top of his elite east coast music conservatory. Plagued by the failed writing career of his father, Andrew hungers day and night to become one of the greats. Terence Fletcher (J.K. Simmons), an instructor equally known for his teaching talents as for his terrifying methods, leads the top jazz ensemble in the school. Fletcher discovers Andrew and transfers the aspiring drummer into his band, forever changing the young man's life.
As with the great John Ford (Young Mr. Lincoln) before him, it would be out of character for Steven Spielberg to construct a conventional, cradle-to-grave portrait of a historical figure. In drawing from Doris Kearns Goodwin's Team of Rivals, the director instead depicts a career-defining moment in the career of Abraham Lincoln (an uncharacteristically restrained Daniel Day-Lewis). With the Civil War raging, and the death toll rising, the president focuses his energies on passage of the 13th Amendment.
I was born under unusual circumstances.' And so begins The Curious Case of Benjamin Button adapted from the 1920s story by F. Scott Fitzgerald about a man who is born in his eighties and ages backwards: a man like any of us who is unable to stop time. We follow his story set in New Orleans from the end of World War I in 1918 into the 21st century following his journey that is as unusual as any man's life can be. Directed by David Fincher and starring Brad Pitt and Cate Blanchett with Taraji P.
There are only so many filmmakers fearless or foolhardy enough to tackle a challenging novel, like Yann Martel's Life of Pi, but adaptation specialist Ang Lee (Brokeback Mountain) was well positioned to take it on. As a structuring device, he uses an interview between a journalist (Rafe Spall) and Pi Patel (The Namesake's Irrfan Khan), a Montreal immigrant with an unusual back story.
A fast-paced, beautifully executed film, The Rebel works hard at being an epic martial arts picture set in 1920's French-occupied Vietnam. While that may sound like a bit much, director Truc Charlie Nguyen does a formidable job creating a plausible scenario with some awesome fighting sequences. While not quite epic, the film is spot on as an action thriller.
It's amazing that Moneyball makes baseball statistics seem fascinating--but that's because it's not really a movie about numbers, and it's not really a movie about baseball, either. It's about what drives people to take risks--in this instance, Billy Beane (played by Brad Pitt), general manager of the Oakland A's, who's just had his best players poached by teams that can afford to pay a lot more.
Up in the Air transforms some painful subjects into smart, sly comedy--with just enough of the pain underneath to give it some weight. Ryan Bingham (George Clooney) spends most of his days traveling around the country and firing people; he's hired by bosses who don't have the nerve to do their layoffs themselves. His life of constant flight suits him--he wants no attachments.
Director Joe Wright (Pride and Prejudice) gives Ian McEwanís bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey.
Unmistakably a shot at greatness, Paul Thomas Anderson's There Will Be Blood succeeds in wild, explosive ways. The film digs into nothing less than the sources of peculiarly American kinds of ambition, corruption, and industry--and makes exhilarating cinema from it all. Although inspired by Upton Sinclair's 1927 novel Oil!, Anderson has crafted his own take on the material, focusing on a black-eyed, self-made oilman named Daniel Plainview (Daniel Day-Lewis), whose voracious appetite for oil turns him into a California tycoon in the early years of the 20th century.
