It's not surprising that My Big Fat Greek Wedding grew more popular over the course of its theatrical release (whereas most blockbusters open big and then drop precipitously)--not only does it have believable situations and engaging characters, but these characters (particularly our romantic heroine, Toula, played by writer and performer Nia Vardalos) look like actual human beings instead of plastic movie stars.
Sportswriter Lenny (Allen) has grown obsessed with learning what his adopted son's genetic mother, Linda (Mira Sorvino) is like. He undertakes a lengthy quest to find her but is completely unprepared to discover that Linda is very different than he had imagined. Mighty Aphrodite is a sexy comedy of opposites as Lenny and Linda become entangled in each others' lives with hilarious consequences. As they grow closer to each other, both have untold secrets which, if revealed, could be scandalous. Also starring Olympia Dukakis, David Ogden Stiers, Jack Warden and Peter Weller.
Nominated for two Academy Awards in 1979, and considered "one of Allen's most enduring accomplishments" (Boxoffice), Manhattan is a wry, touching and finely rendered portrait of modern relationships set against the backdrop of urban alienation. Sumptuously photographed in black-and-white (Allen's first film in that format), and accompanied by a magnificent Gershwin score, Woody Allen's aesthetic triumph is a "prismatic portrait of a time and a place that may be studied decades hence." --Time Magazine.
Jerry Maguire (Tom Cruise) is a sports agent who is long on ambition but short on scruples. After he suddenly and ceremoniously loses his job and his girlfriend (Kelly Preston), both his personal and professional careers hit an all-time low. But when a single mother (Renee Zellweger) enters his life and his heart, he finds himself negotiating the biggest deal of his life... for the heart and the hand of the woman that he loves. Cuba Gooding, Jr.
Since Adolf Hitler had the audacity to borrow his mustache from the most famous celebrity in the world--Charlie Chaplin--it meant Hitler was fair game for Chaplin's comedy. (Strangely, the two men were born within four days of each other.) The Great Dictator, conceived in the late thirties but not released until 1940, when Hitler's war was raging across Europe, is the film that skewered the tyrant. Chaplin plays both Adenoid Hynkel, the power-mad ruler of Tomania, and a humble Jewish barber suffering under the dictator's rule.
In 1992, Woody Allen and Mia Farrow--heretofore the Lunt and Fontanne of Hollywood on the Hudson--went public with a media-saturated battle over Allen's affair with Farrow's adopted daughter. Only a few months later, Allen released this film, starring himself and Farrow acting out a virtually identical plot line: an unhappy marriage begins to crumble when the husband strays with a much younger woman (in this case, one of his students, played by Juliette Lewis).
The Fab Four from Liverpool--John Lennon, Paul McCartney, George Harrison, and Ringo Starr--in their first movie. Nobody expected A Hard Day's Night to be much more than a quick exploitation of a passing musical fad, but when the film opened it immediately seduced the world--even the stuffiest critics fell over themselves in praise (highbrow Dwight Macdonald called it "not only a gay, spontaneous, inventive comedy but it is also as good cinema as I have seen for a long time").
A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe.
A group of unemployed Yorkshire steelworkers hopes to replenish their empty wallets and boost their flagging morale by following in the footsteps of the Chippendale's strippers. These guys are hardly what you would think of as buff, and few can even dance. They simply take these problems in stride, because these are men with a plan--displaced, unemployed, and feeling suffocated by the women in their lives, they just want to earn a little respect.
The Front is both a comic delight and perhaps the most graceful act of show business revenge in cinema history. Written by, directed by, and starring various talents blacklisted during the McCarthy-era witch hunts of the 1950s entertainment industry, the film stars Woody Allen as Howard, a cashier and bookie approached by blacklisted television-writer Alfred (Michael Murphy) to act as a "front," i.e., the alleged author of Alfred's works. The scam proves hugely successful.
