Oscar Winner: Best Actress In A Supporting Role

One of Woody Allen's best films of the '90s, Bullets over Broadway stars John Cusack as a virtual Woody surrogate, a neurotic, Jazz Age writer whose new play sounds wooden and unrealistic to a low-level mobster (Chazz Palminteri) assigned to watch over his boss's actress-girlfriend (Jennifer Tilly). When the hood starts contributing better story ideas and dialogue than what the official playwright can conjure, questions (not unlike those of Amadeus) about the price we pay to make art at the expense of other responsibilities are intriguingly raised.

Spectacular animated action scenes turn the ancient epic poem Beowulf into a modern fantasy movie, while motion-capture technology transforms plump actor Ray Winstone (Sexy Beast) into a burly Nordic warrior. When a Danish kingdom is threatened by the monster Grendel (voiced and physicalized by Crispin Glover, River's Edge), Beowulf--lured by the promise of heroic glory--comes to rescue them. He succeeds, but falls prey to the seductive power of Grendel's mother, played by Angelina Jolie...

The Constant Gardener is the kind of thriller that hasn't been seen since the 1970s: Smart, politically complex, cinematically adventurous, genuinely thrilling and even heartbreaking. Mild diplomat Justin Quayle (Ralph Fiennes, The English Patient, Schindler's List) has a loose cannon of a wife named Tessa (Rachel Weisz, The Shape of Things, The Mummy), who's digging into the dirty doings of a major pharmaceutical company in Kenya. Her brutal murder forces Justin to continue her investigation down some deadly avenues.

Based on a novel by James Michener, Sayonara earned a fistful of OscarÆ nominations (including Best Picture, Director, and Actor) in 1957 and wound up winning statuettes for supporting actors Red Buttons and Miyoshi Umeki. Marlon Brando plays a Korean War fighter pilot, the son of a general, reassigned to Japan, where fraternization with local women is taboo. After breaking off his engagement to another general's daughter, he finds himself falling for a Japanese entertainer (Miiko Taka), then struggling with his own bias.

From Hollywood's legendary Cocoanut Grove to the pioneering conquest of the wild blue yonder, Martin Scorsese's The Aviator celebrates old-school filmmaking at its finest. We say "old school" only because Scorsese's love of golden-age Hollywood is evident in his approach to his subject--Howard Hughes in his prime (played by Leonardo DiCaprio in his)--and especially in his technical mastery of the medium reflecting his love for classical filmmaking of the studio era.

With Sideways, Paul Giamatti (American Splendor, Storytelling) has become an unlikely but engaging romantic lead. Struggling novelist and wine connoisseur Miles (Giamatti) takes his best friend Jack (Thomas Haden Church, Wings) on a wine-tasting tour of California vineyards for a kind of extended bachelor party.

When two Italian-American boys from New York are falsely accused of murder in a small Alabama town, they call for a lawyer--but the only lawyer they know is their cousin Vinny (Joe Pesci), who made six attempts before he passed his bar exam. My Cousin Vinny is a classic fish-out-of-water comedy; the flimsy plot about clearing the two boys and solving the murder is just a hook to support a lot of culture-clash humor.

Indonesia 1965. Revolution is in the air. Foreign journalists covering the feverish unrest are kept at arm’s length by the wary Sukarno government. But with the right contacts, you can get a real story. Australian reporter Guy Hamilton is after that kind of story, but he knows the moere telling of it will betray his source. Mel Gibson is Hamilton and Sigourney Weaver is an enigmatic embassy aide in this taut drama directed by Peter Weir (The Truman Show).

One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act.

For those who consider Bulworth to be a savage and unprecedented political send-up, it's worth revisiting Warren Beatty's first, and best, attempt at outrageous social criticism. Mercilessly exposing the essential vacuity of both the sexual revolution and conservative alarmism over cultural permissiveness, Shampoo remains the best movie ever made about Nixon's America, and one of the very best about the tragic and disappointing conclusion to the 1960s.