Oscar Winner: Best Writing, Screenplay Based on Material from Another Medium

New York City detectives "Popeye" Doyle (Gene Hackman) and Buddy Russo (Roy Scheider) hope to breakia narcotics smuggling ring and ultimately uncover The French Connection. But when one of the criminals tries to kill Doyle, he begins a deadly pursuit that takes him far outside the city limits. Based on a true story, this action-filled thriller, with its renowned chase scene, won five Academy Awards in 1971, including Best Picture, Best Director (William Friedkin) and Best Actor for Hackman.

Tom Hanks gives an astonishing performance as Forrest Gump in this acclaimed film from director Robert Zemeckis that rocketed to box-office history and touched the hearts of filmgoers like no other movie. Through three turbulent decades, Forrest rides a tide of events that whisks him from physical disability to football stardom, from Vietnam hero to shrimp tycoon, from White House honors to the arms of his one true love. Forrest is the embodiment of an era, an innocent at large in an America that is losing its innocence. His heart knows what his limited IQ cannot.

Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit.

A sumptuously mounted and photographed celebration of artful wickedness, betrayal, and sexual intrigue among depraved 18th-century French aristocrats, Dangerous Liaisons (based on Christopher Hampton's Les Liaisons Dangereuses) is seductively decadent fun. The villainous heroes are the Marquise De Merteuil (Glenn Close) and the Vicomte De Valmont (John Malkovich), who have cultivated their mutual cynicism into a highly developed and exquisitely mannered form of (in-)human expression.

Kevin Costner's 1990 epic won a bundle of Oscars for a moving, engrossing story of a white soldier (Costner) who singlehandedly mans a post in the 1870 Dakotas, and becomes a part of the Lakota Sioux community who live nearby. The film may not be a masterpiece, but it is far more than the sum of good intentions. The characters are strong, the development of relationships is both ambitious and careful, the love story between Costner and Mary McDonnell's character is captivating.

Director David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre. The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge.

On his deathbed, Court Composer Antonio Salieri confesses to having killed Mozart, the Genius composer. Flashback to Mozart's arrival in Vienna. His brash and vulgar manner is the antithesis of his divine musical gift. Salieri cannot reconcile that God would endow such genius on this coarse boy. The story unfolds as Mozart becomes more and more popular and Salieri becomes more obsessed with destroying him and getting his revenge on God. Using his influence, Salieri drives his rival to poverty.

A Beautiful Mind manages to twist enough pathos out of John Nash's incredible life story to redeem an at-times goofy portrayal of schizophrenia. Russell Crowe tackles the role with characteristic fervor, playing the Nobel prize-winning mathematician from his days at Princeton, where he developed a groundbreaking economic theory, to his meteoric rise to the cover of Forbes magazine and an MIT professorship, and on through to his eventual dismissal due to schizophrenic delusions. Of course, it is the delusions that fascinate director Ron Howard and, predictably, go astray.

In the Watergate Building, lights go on and four burglars are caught in the act. That night triggered revelations that drove a U.S. President from office. Washington reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) grabbed the story and stayed with it through doubts, denials, discouragement. All The President's Men is their story. Directed by Alan J. Pakula and based on the Woodward/Bernstein book, the film won four 1976 Academy Awards: Best Supporting Actor/Jason Robards, Adaptation Screenplay, Art Direction and Sound.