Oscar Winner: Best Writing, Screenplay Written Directly for the Screen

No sooner does Italian-American widow Loretta (Cher) accept a marriage proposal from her doltish boyfriend, Johnny (Danny Aiello), than she finds herself falling for his younger brother, Ronny (Nicolas Cage). She tries to resist, but Ronny lost his hand in an accident he blames on his brother, and has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls deeper in love, she comes to learn that she's not the only one in her family with a secret romance.

Winner of five 1960 Academy Awards including Best Picture, The Apartment is legendary writer/director Billy Wilder at his scathing, satirical best, and one of the "finest comedies Hollywood has turned out" (Newsweek). C.C. "Bud" Baxter (Jack Lemmon) knows the way to success in business... it's through the door of his apartment! By providing a perfect hideaway for philandering bosses, the ambitious young employee reaps a series of undeserved promotions. But when Bud lends the key to big boss J.D. Sheldrake (Fred MacMurray), he not only advances his career, but his own love life as well.

Michael Oher (Quinton Aaron) knows little about family. Less about football. What the homeless teen knows are the streets and projects of Memphis. Well-to-do Leigh Anne Tuohy (Sandra Bullock) knows little about his world. Yet when she and Michael meet, he's found a home. And the Tuohys have found something just as life-changing: a beloved new son and brother. This real-life story of family and of Michael's growth into a blue-chip football star will have you cheering with its mix of gridiron action and heartwarming emotion.

When a famous person, like the nation's first openly gay male city supervisor, inspires an acclaimed book (The Mayor of Castro Street) and Oscar-winning documentary (The Times of Harvey Milk), a biopic can seem superfluous at best. Taking over from Oliver Stone and Bryan Singer, Gus Van Sant, whose previous picture was the more experimental Paranoid Park, directs with such grace, he renders the concern moot.

Pile together a blue-ribbon cast, a screenplay high in quirkiness, and the Sundance stamp of approval, and you've got yourself a crossover indie hit. That formula worked for Little Miss Sunshine, a frequently hilarious study of family dysfunction. Meet the Hoovers, an Albuquerque clan riddled with depression, hostility, and the tattered remnants of the American Dream; despite their flakiness, they manage to pile into a VW van for a weekend trek to L.A. in order to get moppet daughter Olive (Abigail Breslin) into the Little Miss Sunshine beauty pageant.

One of the greatest screen biographies ever produced, this monumental film runs nearly three hours, won seven Academy Awards, and gave George C. Scott the greatest role of his career. It was released in 1970 when protest against the Vietnam War still raged at home and abroad, and many critics and moviegoers struggled to reconcile current events with the movie's glorification of Gen. George S. Patton as a crazy-brave genius of World War II. How could a movie so huge in scope and so fascinated by its subject be considered an anti-war film?

Robin Williams won the Oscar for Best Supporting Actor, and actors Matt Damon and Ben Affleck nabbed one for Best Original Screenplay, but the feel-good hit Good Will Hunting triumphs because of its gifted director, Gus Van Sant. The unconventional director (My Own Private Idaho, Drugstore Cowboy) saves a script marred by vanity and clunky character development by yanking soulful, touching performances out of his entire cast (amazingly, even one by Williams that's relatively schtick-free).

Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing.

Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol.

When a young Amish woman and her son are caught up in the murder of an undercover narcotics agent, their savior proves to be the worldly and cynical Philadelphia detective John Book. Harrison Ford is sensational as Book, the cop who runs head-on into the non-violent world of a Pennsylvania Amish community. The end result is an action-packed struggle of life and death, interwoven with a sensitive undercurrent of caring and forbidden love.