Albert Finney

A feel-good movie that highlights the beauty of France as much as it does its stars, A Good Year provides a languid, gorgeous viewing experience. Director Ridley Scott and Russell Crowe--who first worked together on the Academy Award-winning Gladiator--are reunited in this romantic film, which is based on Peter Mayle's book A Year in Provence. Crowe plays Max, a workaholic London bonds trader who doesn't know the meaning of vacation. When his uncle dies, leaving him a picturesque estate in the south of France, Max views it as an opportunity to cash in the vinery and pocket the profits.

The often breathtaking, final installment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy.

In this inspirational costume drama, Michael Apted (49 Up) recounts a period in British history sure to be unfamiliar to most Americans. In fact, his eye-opening biography of 18th century abolitionist William Wilberforce (Ioan Gruffudd) is likely to come as a revelation to many Britons, as well. After all, despite the presence of his wife, Barbara (Romola Garai), this isn't a particularly "sexy" story, but it is a powerful one. The title comes from John Newton's hymn Amazing Grace ("I once was lost but now am found").

That TV commercial actress is so seductive she could sell you anything. Sheís only a computer generated illusion. What about the real beauty who was the computer's model? Sorry, you can't meet her: she and others like her have been murdered. Writer/director Michael Crichton (ER, Coma) reaches into his brain-teasing bag of tricks for a mesmerizing thriller full of unfriendly persuasion generated by high-tech trickery. Albert Finney stars as a Beverly Hills plastic surgeon whose supermodel clients start dying mysteriously. Susan Dey plays his latest patient, also now in peril.

After a string of mediocre movies, director Tim Burton regains his footing as he shifts from macabre fairy tales to Southern tall tales. Big Fish twines in and out of the oversized stories of Edward Bloom, played as a young man by Ewan McGregor (Moulin Rouge, Down with Love) and as a dying father by Albert Finney (Tom Jones). Edward's son Will (Billy Crudup, Almost Famous) sits by his father's bedside but has little patience with the old man's fables, because he feels these stories have kept him from knowing who his father really is.