Alec Guinness

This adaptation of E.M. Forster's mysterious tale of British racism in colonial India turned out to be master director David Lean's final film. Subtle and grand at the same time, Lean's adaptation is faithful to the book, rendering its blend of the mystical and the all-too human with exquisite precision. Judy Davis plays a young British woman traveling in India with her fiancé's mother. While visiting a tourist attraction, she has a frightening moment in a cave--one that she eventually spins from an instant of mental meltdown into a tale of a physical attack that ruins several lives.

The second and last of Anthony Mann's historical epics is a smart, handsome spectacle of the decadence, corruption, and intrigue that tears apart the greatest empire the world has seen. The sprawling story spreads itself thin over a number of characters and stories.

David Lean focused all his talent as an epic-maker on Boris Pasternak's sweeping novel about a doctor-poet in revolutionary Russia. The results may sometimes veer toward soap opera, especially with the screen frequently filled with adoring close-ups of Omar Sharif and Julie Christie, but Lean's gift for cramming the screen with spectacle is not to be denied. The streets of Moscow, the snowy steppes of Russia, the house in the country taken over by ice; these are re-created with Lean's unerring sense of grandness.

The Jedi Knights have been exterminated and the Empire rules the galaxy with an iron fist. A small group of Rebels have dared to fight back by stealing the secret plansito the Empire's mightiest weapon, the Death Star battle station. The Emperor's most trusted servant, Darth Vader, must find the plans, and locate the hidden Rebel base. Princess Leia, a captive Rebel leader, sends out a distress signal that is intercepted by a simply farm boy, Luke Skywalker.

Neil Simon wrote this 1976 spoof in which virtually every famous fictional detective of the 1930s and 1940s congregate at the home of a mysterious fellow (Truman Capote) to try and solve the mystery of who's trying to kill them all. Simon's jokes are mostly obvious, and the film's real appeal is the clever concept matched with fine--sometimes legendary--actors. Peter Falk plays a very Bogart-like Sam Spade equivalent, James Coco is a Hercule Poirot wannabe, Peter Sellers does a Charlie Chan bit, David Niven and Maggie Smith are reflections of Nick and Nora.... You get the picture.

The dramatic portrait of the famed British officer's journey to the Middle East, Lawrence Of Arabia is one of the most critically acclaimed and beloved films of all time. Assigned to Arabia during World War I, Lawrence courageously unites the warring Arab factions into a strong guerrilla front and leads them to brilliant victories in treacherous desert battlefields, where they eventually defeat the ruling Turkish Empire.

Director David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre. The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge.