Charlotte Gainsbourg

Jane Eyre, an orphan, is raised in a harsh charity school. She becomes a teacher and is hired as a governess at Thornfield Hall by housekeeper Mrs. Fairfax. The plot revolves around her experiences there.

Justine (Kirsten Dunst) and Michael (Alexander Skarsgård) celebrate their marriage at a sumptuous party in the home of Justine's sister Claire (Charlotte Gainsbourg) and brother-in-law John (Kiefer Sutherland). Despite Claire's best efforts, the wedding is a fiasco, with family tensions mounting and relationships fraying. Meanwhile, a planet called Melancholia is heading directly towards Earth, threatening the very existence of humankind.

Swiping its title from the inscription on the Statue of Liberty ("I lift my lamp beside the golden door!"), Emanuele Crialese's third film manages to be epic and quirky at the same time. In most coming-to-America stories set during the turn-of-the century, a prologue establishes the central character's birthplace. Then, he boards a ship. In the next scene, he disembarks on American soil. The rest of the movie concerns his (or her) efforts to adjust to a new culture. Crialese (Respiro) ditches that last part altogether.

Unapologetically audacious, I'm Not There is more post-modern puzzle than by-the-numbers biopic. A title card sets the scene: "Inspired by the music and many lives of Bob Dylan." Yet the film features no figure by that name. Instead, writer/director Todd Haynes presents six characters, each incarnating different stages in the artist's career. Perfume's Ben Whishaw, a black-clad poet, serves as a slippery sort of narrator.

Sean Penn and Benecio Del Toro, two of the most gripping actors around, play wildly different men linked through a grieving woman (Naomi Watts, Mulholland Drive, The Ring) in 21 Grams. Del Toro (Traffic, The Usual Suspects) delves deep into the role of an ex-con turned born-again Christian, a deeply conflicted man struggling to set right a terrible accident, even at the expense of his family. Penn (Mystic River, Dead Man Walking) captures a cynical, philandering professor in dire need of a heart transplant, which he gets from the death of Watts' husband.