Colin Firth

One of the most endearing and intelligent romantic comedies of the '90s, the Oscar-winning Shakespeare in Love is filled with such good will, sunny romance, snappy one-liners, and devilish cleverness that it's absolutely irresistible. With tongue placed firmly in cheek, at its outset the film tracks young Will Shakespeare's overwrought battle with writer's block and the efforts of theater owner Philip Henslowe (Geoffrey Rush, in rare form) to stage Will's latest comedy, Romeo and Ethel, the Pirate's Daughter.

With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection.

Based on Oscar Wilde's play, The Importance Of Being Earnest is the hilarious adventure of two young bachelors who create alter egos in order to find romance. Worthing is a wealthy chap who resides in the country but often visits the city as his "brother" Ernest. There he falls in love with the beautiful Gwendolyn. Montcrieff is Worthing's boisterous friend who lives in the city and spends money beyond his means. In order to escape bill collectors and boring dinner parties, Montcrieff creates "Bumbry," a sick friend whom he often visits out of town.

This hilarious romantic comedy is the story of Bridget Jones (Renee Zellweger), a 32 year old "singleton" who decides to take control of her life by keeping a diary. With a taste for adventure and an opinion on every subject--from her circle of friends, to men, food, sex and everything in between--she's decided to turn the page on a whole new life. Despite her efforts to get her act together, she finds herself caught between two men--Daniel Cleaver (Hugh Grant), a man who's too good to be true, and Marc Darcy (Colin Firth), a man who's so wrong for her, he could be right.