When it comes to the subject of community, David E. Kelley--the prolific writer-producer behind television's The Practice and Ally McBeal--falls somewhere on a continuum between directors Howard Hawks and Robert Benton. While Hawks's professional characters are bound by a knowledge of how to do what they do even if they don't know why, Benton's people, professional or not, have long ago substituted their own eccentric reasons for that elusive why.
Legendary police detective Dick Tracy is the only man tough enough to take on gangster boss Big Boy Caprice and his band of menacing mobsters. Dedicated to his work but at the same time devoted to his loyal girlfriend, Tess Trueheart, Tracy find himself torn between love and duty. His relentless crusade against crime becomes even more difficult when he gets saddled with an engaging orphan and meets seductive and sultry Breathless Mahoney, a torch singer determined to get the best of Tracy.
As its title suggests, Layer Cake is a crime thriller that cuts into several levels of its treacherous criminal underworld. The title is actually one character's definition of the drug-trade hierarchy, but it's also an apt metaphor for the separate layers of deception, death, and betrayal experienced by the film's unnamed protagonist, a cocaine traffic middle-man played with smooth appeal by Daniel Craig (rumored at the time of this film's release to be on the short list for consideration as the next James Bond).
The Snapper may be the funniest film ever made about an unexpected pregnancy. In adapting the second novel of his popular Barrytown Trilogy, Irish author Roddy Doyle brilliantly captures the hilarious dynamics of a working-class family, the virulent gossip of their nosy Dublin neighbors, and the mixed emotions of a young woman on the verge of single motherhood.
The rough-edged vitality of contemporary Irish filmmaking is readily apparent in Intermission, a deliriously ambitious black comedy in which 54 characters and 11 plotlines compete for consistently impressive screen-time.
Comedy favorite Hugh Grant (Notting Hill) stars as a young man who offends an entire town by declaring their mountain -- a prized local landmark -- to be a "hill." But he soon finds the eccentric locals, led by a witty innkeeper (Colm Meaney) will stop at nothing to defend their honor! While the townspeople rally around their "mountain," a fiery young woman (Tara FitzGerald) charms the puzzled out-of-towner into seeing things their way.
They had Absolutely Nothing. But They Were Willing To Risk It All. Jimmy Rabbitte, just a tick out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan. Song by song, gig by gig, the Commitments start their climb to the top: Dublin gets soul.
Deep Space Nine's seventh and final season came down to loose ends, tying some existing ones together while allowing others to unravel. Symptomatic of the unwillingness to let DS9 go was the immediate arrival of a replacement Dax, though poor Nichole deBoer as Ezri Dax had to have known she'd already missed the boat. Her appearance encouraged last-minute romances to blossom, with Bashir finally getting some action, Odo finally getting together with Kira, and Sisko finally proposing to Kassidy.
Deep Space Nine's sixth season began ambitiously with a six-part story arc devoted to the Dominion War. This was a brave move in many ways, but a sensible one too. Whereas other sci-fi shows wouldn't commit to showing the impact of war (e.g., Babylon 5), here there were numerous visible sacrifices. Characters were frequently kidnapped and held prisoner, allowing screen time for other members of the ever-growing cast (at its peak there were as many as 18 individuals with speaking roles per episode).
Deep Space Nine's fifth season was a turning point from which there was no going back. Character and information overload took over, and the complicated twists and turns in the build up to war either hooked viewers securely, or sent them away with a headache. The Klingon faction instigated by Worf's arrival was occasionally played for laughs, but mostly their hardheaded personalities made all efforts at diplomacy moot. In the opening episode a chilling possibility is proposed as to what might be: have the Changelings infiltrated already and replaced key personnel?
