David Ogden Stiers

Writer/director Woody Allen delivers a powerful, "searing adult drama" (Leonard Maltin) examining the life of an accomplished philosophy professor teetering on the brink of self-understanding. Boasting a superb cast led by Gena Rowlands, Mia Farrow, Ian Holm and Gene Hackman, Another Woman is Allen's 17th triumphant film. Stylistically rich and technically expert, the film layers past and present, dialogue and narration, reality and metaphor, to achieve a "lucidity and compassion of an order virtually unknown in American movies" (Time Magazine).

Sportswriter Lenny (Allen) has grown obsessed with learning what his adopted son's genetic mother, Linda (Mira Sorvino) is like. He undertakes a lengthy quest to find her but is completely unprepared to discover that Linda is very different than he had imagined. Mighty Aphrodite is a sexy comedy of opposites as Lenny and Linda become entangled in each others' lives with hilarious consequences. As they grow closer to each other, both have untold secrets which, if revealed, could be scandalous. Also starring Olympia Dukakis, David Ogden Stiers, Jack Warden and Peter Weller.

The Majestic is an old-fashioned throwback replete with a 1950s B-script and halcyon values like patriotism, true love, and clean fun. Peter Appleton (Jim Carrey) is a Hollywood scriptwriter with a sexy gal, a screenplay under his belt, and his big break on the horizon. But when his name is mistakenly given to the House Un-American Activities Committee, Appleton's dreams of success in the biz quickly unravel.

Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well.

With The Curse of the Jade Scorpion, Woody Allen pays another visit to his idealized past, and his retro blend of humor and nostalgia will surely satisfy the filmmaker's most loyal fans. Like The Purple Rose of Cairo, Radio Days, and Sweet and Lowdown, The Curse of the Jade Scorpion is physically impeccable: its period-perfect costumes and sets capture 1940 New York with splendid authenticity and are further enhanced by the burnished glow of Zhao Fei's cinematography.