Diane Keaton

An "intensely provocative...[and] searing dissection of human behavior" (New York Daily News), Interiors marked a cinematic watershed for Woody Allen. In his first serious drama, Allen's interest in the human condition was not purely farcical and not limited to quick-wit and slapstick gags. Exploring the dynamics of a family in crisis, Interiors is "destined to become a landmark of American filmmaking" (The Hollywood Reporter). When Eve (Geraldine Page), an interior designer, is deserted by her husband of many years, Arthur (E.G.

As upscale sitcoms go, Something's Gotta Give has more to offer than most romantic comedies. Obviously working through some semi-autobiographical issues regarding "women of a certain age," writer-director Nancy Meyers brings adequate credibility and above-average intelligence to what is essentially (but not exclusively) a fantasy premise, in which an aging lothario who's always dated younger women (Jack Nicholson, more or less playing himself) falls for a successful middle-aged playwright (Diane Keaton) who's convinced she's past the age of romance, much less sexual re-awakening.

If Interiors was Woody Allen's Bergman movie, and Stardust Memories was his Fellini movie, then you could say that Sleeper is his Buster Keaton movie. Relying more on visual/conceptual/slapstick gags than his trademark verbal wit, Sleeper is probably the funniest of what would become known as Allen's "early, funny films" and a milestone in his development as a director. Allen plays Miles Monroe, cryogenically frozen in 1973 (he went into the hospital for an ulcer operation) and unthawed 200†years later.

Written for the stage and coherently opened up for the screen by veteran director Herbert Ross, Play It Again, Sam is closer to a conventional comedy than Woody Allen's more self-contained films, but his smart script and archetypal hero-nebbish achieve a special charm aimed squarely at movie buffs. Allen is Allan Felix, a film critic on the rebound after his wife's desertion trying to brave the choppy waters of born-again bachelorhood and struggling to reconcile his celluloid obsessions with the hazards of real-world dating.

Diane Keaton stars as Carol Lipton, a bored Manhattan housewife who becomes convinced that her nextdoor neighbor has committed a murder. When her skeptical husband, Larry (Allen), rejects the idea, Carol turns to a flirtatious friend (Alda) to help her search for clues. And as their enthusiasm for the case grows so does their interest in each other. Spurred on by jealousy - and by a seductive writer (Huston) who's also excited by the murder mystery - Larry reluctantly joins the chase, only to learn that much more than his marriage is at stake.

Nominated for two Academy Awards in 1979, and considered "one of Allen's most enduring accomplishments" (Boxoffice), Manhattan is a wry, touching and finely rendered portrait of modern relationships set against the backdrop of urban alienation. Sumptuously photographed in black-and-white (Allen's first film in that format), and accompanied by a magnificent Gershwin score, Woody Allen's aesthetic triumph is a "prismatic portrait of a time and a place that may be studied decades hence." --Time Magazine.

Woody Allen reinvents himself again with the epic historical satire that is a "wonderful, funny and eclectic distillation of the Russian literary soul." --New York Magazine. One of his most visual, philosophical and elaborately conceived films, Love And Death "demonstrates again that (Allen) is an authentic comedy genius." --Cosmopolitan. Cowardly scholar Boris Grushenko (Allen) has the hots for the beautiful Sonja (Diane Keaton), but cold feet for the Napoleonic Wars.

The Godfather, Part III (1990, 170 min.) - Now in his 60's, Michael Corleone is dominated by two passions: freeing his family from crime, and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia), but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. This special collection also includes an additional disc containing over 3 hours of bonus material.

The Godfather, Part II (1974, 200 min.) - This brilliant sequel continues the saga of two generation of successive power within the Corleone family. Coppola tells two stories: the roots and rise of a young Don Vito (Robert De Niro), and the ascension of Michael (Al Pacino) as the new Don. Winner of six Academy Awards, including Best Picture.

Some of the greatest masterpieces in cinema history, "The Godfather Collection" is the saga of the generations of successive power within the Corleone crime family, told in three films of staggering magnitude and vision, masterfully exploring themes of power, tradition, revenge and love. The Godfather (1972, 175 min.) - Adapted from Mario Puzo's best-selling novel, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar-winning role as the patriarch of the Corleones.