Though Stepmom was dismissed as a contender in the 1998 Oscar race, it's worth giving a second chance to this rather cogent, sharp-tongued look at second chances. Susan Sarandon's performance as a mom about to be replaced by her ex-husband's new girlfriend (played by Julia Roberts) has a lot of bite, and it's a shame the script opted to marginalize and trivialize her plight in its final reel.
Philip Kaufman's intimate epic about the Mercury astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that Apollo 13 would later become; The Right Stuff is not only just as thrilling, but it is also a bigger and better movie.
Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film).
Three-time Oscar nominee Tom Cruise delivers the most electrifying performance of his career in this riveting film based on the international best-seller. Cruise plays Mitch McDeere, a brilliant and ambitious Harvard Law grad. Driven by a fierce desire to bury his working class past, Mitch joins a small, prosperous Memphis firm that affords Mitch and his wife (Jeanne Tripplehorn) an affluent lifestyle beyond their wildest dreams.
A Beautiful Mind manages to twist enough pathos out of John Nash's incredible life story to redeem an at-times goofy portrayal of schizophrenia. Russell Crowe tackles the role with characteristic fervor, playing the Nobel prize-winning mathematician from his days at Princeton, where he developed a groundbreaking economic theory, to his meteoric rise to the cover of Forbes magazine and an MIT professorship, and on through to his eventual dismissal due to schizophrenic delusions. Of course, it is the delusions that fascinate director Ron Howard and, predictably, go astray.
It had been less than a year since man first walked on the moon, but as far as the American public was concerned, Apollo 13 was just another "routine" space flight--until these words pierced the immense void of space: "Houston, we have a problem." Ron Howard directs Academy Award-winner Tom Hanks in a riveting suspense-thriller. Stranded 205,000 miles from earth in a crippled spacecraft, astronauts Jim Lovell, Fred Haise and Jack Swigert fight a desperate battle to survive.
