Eddie Murphy

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Bowfinger

How does Bobby Bowfinger (Steve Martin), Hollywood's least successful director, get Kit Ramsey (Eddie Murphy), Hollywood's biggest star, in his ultra low-budget film? Any way he can. With an ingenious scheme and the help of Kit's eager and nerdy brother Jiff, an ambitious and sexy wannabe (Heather Graham) and an over-the-hill diva (Christine Baranski), Bowfinger sets out to trick Kit Ramsey into the performance of a lifetime. Enjoy the fun with Eddie Murphy and Steve Martin - together for the first time in the hit comedy Bowfinger.

Beverly Hills Cop II

The 1988 sequel to one of the most successful movies of all time finds Eddie Murphy reprising his role as Detroit police detective Axel Foley, and once again playing a fish out of water as he tries to solve a series of heists in Beverly Hills that may be connected to the attempted murder of his friend, a Beverly Hills police captain (Ronny Cox). Constructed in a much flashier and faster-paced visual style than the first film, the song still remains the same as Foley tries to keep his job in Detroit while solving crimes for the Beverly Hills cops.

Beverly Hills Cop

While its sequels were formulaic and safe, the first Beverly Hills Cop set out to explore some uncharted territory, and succeeded. A blend of violent action picture and sharp comedy, the film has an excellent director, Martin Brest (Scent of a Woman), who finds some original perspectives on stock scenes (highway chases, police rousts) and hits a gleeful note with Murphy while skewering L.A. culture. Good support from Judge Reinhold and John Ashton as local cops not used to doing things the Detroit way (Murphy's character hails from the Motor City).

48 Hrs.

Nick Nolte and Eddie Murphy make one of the most unusual and entertaining teams ever in Walter Hill's roller-coaster thriller, 48 Hrs. Nolte is a rough-edged cop after two vicious cop-killers. He can't do it without the help of smooth and dapper Murphy, who is serving time for a half-million-dollar robbery. This unlikely partnership trades laughs as often as punches as both pursue their separate goals: Nolte wants the villains; Murphy wants his money and some much-needed female companionship.

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