Golden Door
Swiping its title from the inscription on the Statue of Liberty ("I lift my lamp beside the golden door!"), Emanuele Crialese's third film manages to be epic and quirky at the same time. In most coming-to-America stories set during the turn-of-the century, a prologue establishes the central character's birthplace. Then, he boards a ship. In the next scene, he disembarks on American soil. The rest of the movie concerns his (or her) efforts to adjust to a new culture. Crialese (Respiro) ditches that last part altogether.
