Hope Davis

Stanley Tucci and Oliver Platt wreak havoc and hilarity on the high seas in this "sublimely silly comedy" (People Magazine) that reunites the incredible cast of "Big Night". Meet Arthur (Tucci) and Maurice (Platt), two out-of-work actors who escape from the police by stowing away aboard a luxury liner. But soon the ship hits the fan, and the imposters must give the performance of a lifetime - not only to evade the authorities, but to foil the dastardly plot of a deranged crewman who has explosive plans for everyone on board.

The Hoax is a happy surprise. Surprise because, for once, having a film's release date bumped back half a year didn't mean it's a dog. Happy because Lasse Hallstrˆm's dancing-on-eggshells comedy about a notorious literary scandal of the 1970s is bounteously entertaining, with more solid laughs and certainly slyer wit than, say, the latest Will Ferrell romp. The subject is the world-shaking con an unsuccessful writer named Clifford Irving (Richard Gere) ran on some supposedly sharp cookies in the highest echelons of Manhattan publishing.

Pierce Brosnan gives one of his finest performances in The Matador, a low-key buddy comedy with an agreeably sinister twist. Light-years from his former James Bond image, Brosnan is unshaven, unnerved and unpredictable as freelance assassin Julian Noble, who encounters desperate businessman Danny Wright (Greg Kinnear) in the bar of a modern Mexico City hotel. Danny is intrigued when Julian reveals that he's a "facilitator of fatalities," and his wife "Bean" (Hope Davis) is equally fascinated when Julian shows up unexpectedly, six months later, at Danny's home in Denver.

Elegantly adapted from David Auburn's Pulitzer Prize-winning play, Proof works on so many levels that it shines like a perfected equation. Gwyneth Paltrow previously played her role onstage, and returns here as Catherine, the troubled 27-year-old daughter of Robert, a once-brilliant mathematician (Anthony Hopkins, appearing in flashbacks and imagined visions) who has recently died. What Robert has left behind is an emotionally challenging legacy of genius, mental illness, and unfinished business in the Chicago home where Catherine had cared for him during his erratic final years.

While confirming Jack Nicholson's status as an American national treasure, About Schmidt is sure to provoke polarized reactions. Stoked by the success of Election, director Alexander Payne and cowriter Jim Taylor have altered Louis Begley's novel to suit their comedic agenda, turning Nicholson's titular character into a 66-year-old, newly retired Omaha insurance actuary, weary from decades of drudgery and passionless marriage.