Jeremy Irons

Sweeping and visually resplendent, The Mission is a powerful action epic about a man of the sword (Robert DeNiro) and a man of the cloth (Jeremy Irons) who unite to shield a South American Indian tribe from brutal subjugation by 18th-century colonial empires. It reunites key talents behind The Killing Fields: co-producer David Puttnam, director Roland Joffe and cinematogapher Chris Menges. The Mission is screen storytelling that weaves a haunting spell.

Determined to ensure Superman's ultimate sacrifice was not in vain, Bruce Wayne aligns forces with Diana Prince with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions. The task proves more difficult than Bruce imagined, as each of the recruits must face the demons of their own pasts to transcend that which has held them back, allowing them to come together, finally forming an unprecedented league of heroes.

The turbulent, 20-year love affair between artist Georgia O'Keeffe and photographer Alfred Steiglitz fuels some of the most important art of the 20th century. A rich, deep view of the O'Keeffe/Stieglitz relationship, primarily of its emotional toll on O'Keeffe and its spill-over onto O'Keeffe's work. Adds another dimension to O'Keeffe as a young woman artist.

Dominika Egorova is many things. A devoted daughter determined to protect her mother at all costs. A prima ballerina whose ferocity has pushed her body and mind to the absolute limit. A master of seductive and manipulative combat. When she suffers a career-ending injury, Dominika and her mother are facing a bleak and uncertain future. That is why she finds herself manipulated into becoming the newest recruit for Sparrow School, a secret intelligence service that trains exceptional young people like her to use their bodies and minds as weapons.

Fueled by his restored faith in humanity and inspired by Supermans selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroesBatman, Wonder Woman, Aquaman, Cyborg and The Flashit may already be too late to save the planet from an assault of catastrophic proportions.

From director Zack Snyder comes Batman v Superman: Dawn of Justice, starring Ben Affleck as Batman/Bruce Wayne and Henry Cavill as Superman/Clark Kent in the characters' first big-screen pairing. Fearing the actions of a god-like Super Hero left unchecked, Gotham City's own formidable, ful vigilante takes on Metropolis's most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it's ever known before.

The Western has been an endangered species, on and off, for something like 40 years now. Welcome to Appaloosa, Ed Harris's film of the Robert B. Parker novel--first because it exists at all, but even more because Harris as star, director, and co-screenwriter (with Robert Knott) has managed to bring it to the screen with no hint of fuss or strain, as if the making of no-nonsense, copiously pleasurable Westerns were still something Hollywood did with regularity. Harris plays Virgil Cole, one of those ace gunfighter-lawmen whose name need only be mentioned to make a saloon go still.

Helen Mirren's Elizabeth I could almost be cousin to her Jane Tennison. Like the dedicated detective chief inspector, Queen Bess is not without a heart, but work comes first and any romantic entanglements are doomed to fail. Fortunately, she has her friendships. Directed by Tom Hooper (Prime Suspect 6), this two-part HBO/Channel 4 tele-film begins in 1579. The Virgin Queen has been on the throne for 20 years, but has not married. Her closest relationship is with Robert Dudley, the Earl of Leicester (Jeremy Irons), whom the council will not allow her to wed.

A light farce dressed up as a lush 18th century costume drama, Casanova gives a fictional spin to the exploits of history's most rakish seducer of women. As played by Heath Ledger, this Casanova bears no resemblance to Donald Sutherland's unrepentant portrayal in Fellini's Casanova, filmed 30 years earlier. Instead, the great ladies' man of Venice is just biding time by bedding women, waiting for true love (and the return his long-absent mother) to settle down into blissful monogamy.