Jodie Foster

Baseball has its Bull Durham. Basketball has Hoosiers. Football has Rudy. And the mad sport of the roller game has Kansas City Bomber. Step aside, boys, she's coming through. Disco was in, polyester was cool and the roller game was the hottest thing on wheels when this smash-mouth spinfest elbowed its way onto screens. Raquel Welch plays K.C., a single mom (Jodie Foster plays her daughter) who laces up to earn a living for her family. Real competition venues provide settings. Some true-life roller-game players appear in the film.

This award winning film directed by Alan Parker (1976) stars Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher.

Adventure doesn't always begin with pirates on the high seas or explorers deep in the desert; sometimes it starts with an idyllic life on a private island in the middle of the South Asiatic Sea. For 11-year old Nim (Abigail Breslin) and her father and microbiologist Jack Russo (Gerard Butler), life is perfect thanks to their love of nature, Jack's mechanical ingenuity, and regular deliveries via supply ship.

In the year 2159 two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes, a government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn't stop the people of Earth from trying to get in, by any means they can.

Neil Jordan's somber The Brave One is a lot of things. A reflective movie about a crime victim's sense of dislocation and isolation from her own life following a harrowing trauma, the film will strike a chord with a lot of people who have known violence. The Brave One is also a provocative drama about the nature of justice, a theme explored endlessly in American movies that typically find law enforcement wanting. In Jordan's film, however, the conflict between instinctive vigilantism and legal protocols is approached with more deliberateness and complexity than usual.

Like a lot of stylishly persuasive thrillers, Flightplan is more fun to watch than it is to think about. There's much to admire in this hermetically sealed mystery, in which a propulsion engineer and grieving widow (Jodie Foster) takes her 6-year-old daughter (and a coffin containing her husband's body) on a transatlantic flight aboard a brand-new jumbo jet she helped design, and faces a mother's worst nightmare when her daughter (Marlene Lawston) goes missing. But how can that be? Is she delusional?

Spike Lee scored his biggest hit to date with Inside Man, an unconventional thriller with fascinating details in the margins of its convoluted plot. The screenplay (by first-timer Russell Gerwitz) could've used a few more rewrites; it moves at a brisk pace but in hindsight a lot of it doesn't make sense.

Academy Award winner Jodie Foster and international action star Chow Yun-Fat bring to life the epic true story of a woman who challenged the heart of a king and inspired the destiny of a nation. English school teacher Anna Leonowens has traveled to Siam to educate the fifty-eight children of King Mongkut. If she has preconceived notions about the East, the King has similar notions about the West. But amid the danger of growing political unrest, their respect for each other slowly turns into something more.

Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film," Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political, and societal anxiety.

Woody Allen's wonderful 1920s mystery comedy is the story of one fantastic, Kafka-esque night when the circus came to a small European town and a maniac strangler walked the streets. Recruited by an inept mob of vigilantes, Kleinman (Allen), a cowardly clerk, is forced to search for a notorious murderer - only to stumble upon a feisty sword-sallower, Irmy (Farrow), running away from the circus, and her 'clownish' boyfriend (Malkovich). Determined to help Irmy, and eager to escape the vigilantes, Kleinman abandons his search for the killer... or so he thinks.