John Boorman

Tailors are the secret-keepers of the power elite; customize fine apparel for the rich and powerful, and you'll hear things only whispered in the halls of government. Such is the sly conceit of The Tailor of Panama, coadapted by John le CarrÈ from his own novel, and directed by John Boorman with a delicious spin on the traditions of the spy genre. As British MI-6 agent Andy Osnard, Pierce Brosnan qualifies as James Bond's black-sheep sibling, viewing women only in terms of sexual conquest and conducting spy business by his own flexible set of rules.

Walker (Lee Marvin) strides through Los Angeles with the steel-eyed stare of a stone-cold killer, or perhaps a ghost. Betrayed by his wife and best friend, who gun him down point-blank and leave him for dead after a successful heist, Walker blasts his way up the criminal food chain in a quest for revenge. Did he survive the shooting or return from the grave, or is it all a dying dream?

This lush retelling of the legend of King Arthur and the Knights of the Round Table is a dark and engrossing tale. Director John Boorman (Deliverance) masterfully handles the tale of the mythical sword Excalibur, and its passing from the wizard Merlin to the future king of England. Arthur pulls the famed sword from a stone and is destined to be crowned king. As the king embarks on a passionate love affair with Guenevere, an illegitimate son, and Merlin's designs on power, threaten Arthur's reign. The film is visually stunning and unflinching in its scenes of combat and black magic.

John Boorman's 1985 South American epic never quite gets all of its gears working simultaneously, but it remains an often startling work with an extraordinary performance by the director's own son, Charley Boorman. Powers Boothe plays an American engineer working on a dam project in Brazil. When his young son is seemingly absorbed one day into the dense perils and beauty of the Amazon rain forest, Boothe's character goes on a protracted, 10-year search for him.

Four ordinary men in two canoes navigate a river they only know as a line on a map, taking on a wilderness they only think they understand. Deliverance, based on James Dickey's novel, surges with the urgency of masterful storytelling, like Georgia's Chattooga River along which it was shot. Equally masterful is the portrayal of each man's change of character under stress, harrowingly enacted by award winners Jon Voight, Burt Reynolds, Ned Beatty and Ronny Cox.