Steve Carell (The 40-Year-Old Virgin, TV's The Office), stars in the hilarious comedy that's bursting with charm. Advice columnist Dan Burns (Carell) is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complicated when Dan finds out that the woman he falls in love with is actually his brother's new girlfriend.
Tin Men, the second in Barry Levinson's ongoing film series about his native Baltimore in the 1950s and '60s, focuses on a pair of competing aluminum-siding salesman at a point when the industry was loaded with scam artists. Richard Dreyfuss and Danny DeVito play rivals who get involved in a fender-bender that quickly escalates from a minor argument into an all-out war, as they begin pulling practical jokes on each other. Dreyfuss takes it too far, however, when he sets out to seduce DeVito's unhappy wife (Barbara Hershey) and winds up falling in love with her.
Clever twists and a bona fide surprise ending make this an above-average courtroom thriller, tapping into the post-O.J. scrutiny of our legal system in the case of a hotshot Chicago defense attorney (Richard Gere) whose latest client is an altar boy (Edward Norton) accused of murdering a Catholic archbishop. The film uses its own manipulation to tell a story about manipulation, and when we finally discover who's been pulling the strings, the payoff is both convincing and pertinent to the ongoing debate over what constitutes truth in the American system of justice.
Harrison Ford and filmmaker Roman Polanski count thrillers among their best work. USA Today's Mike Clark wrote, "Frantic teams an imaginatively cast superstar and the greatest living suspense director in fine form." Ford plays an American doctor whose wife (Betty Buckley) suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form bureaucrats, and a defiant, mysterious waif (Emmanuelle Seigner) who knows more than she tells. "It is the spirit of Hitchcock that reigns here." --Michael Wilmington, Los Angeles Times.
Eliot Asinof's detailed book Eight Men Out illustrates how the system of American sports collapsed in 1919, the year the Chicago White Sox threw the World Series. Filmmaker John Sayles worked on his script years before the 1988†film (or before he had the rights to make the film) as a labor of love. Sayles's adaptation proves one can make a historically accurate film in the day and age of artistic license. And what a story. Although many know about the "Black Sox," made famous--again--in the 1989 hit film Field of Dreams, the details of the saga are far less known.
Midway through Frasier's redemptive final season (which earned Emmys for Kelsey Grammer and David Hyde Pierce), Martin Crane (John Mahoney) reassures his son, "Just when you think that you're in a rut and nothing exciting will ever happen again, pow, that's when it does." The same could have been said of Frasier's redemptive final season. Not that the multi-Emmy-honored series had ever really jumped the couch, but by its 11th season, it had lost some of its sparkle. And then, POW! Veteran Frasier writers Christopher Lloyd and Joe Keenan return to the fold. POW!
"Irritating, but endearing." That's Frasier Crane in a nutshell, as diagnosed by Julia Wilcox (an Emmy-worthy Felicity Huffman), KCAL's abrasive and condescending new financial analyst. That's a delicate balance, but Kelsey Grammer still manages it with the usual aplomb in Frasier's penultimate season.
After a distinguished run of Emmy-winning seasons, Frasier is, by its ninth season, in something of "a tiny lull" (as Frasier describes the state of his radio talk show career in the episode "Junior Agent") when its guest stars took home more Emmys than the much-decorated ensemble (Anthony LaPlaglia, reprising his role as Daphne's besotted brother, Simon, in the two-parter, "Mother Load"). But Frasier still shows signs of its usual brilliance in balancing farce and sparkling wit.
Seemingly not content to win all those Emmys for Outstanding Comedy Series, Frasier made a convincing bid in its eighth season for Best Drama. Make no mistake, Frasier still serves up its unique blend of sophisticated wit and farce with the usual panache. But season 8 finds Frasier (Kelsey Grammer) in a contemplative mood and mid-life crisis mode. The episode "Frasier's Edge" resonates throughout the season, as a lifetime achievement award and a suspect (only to Frasier) congratulatory note from a mentor sends him into a characteristic tailspin.
This is the pivotal season that finally, finally brings together Niles (David Hyde Pierce) and Daphne (Jane Leeves), Frasier's answer to Ross and Rachel. Daphne, engaged to Donny (Saul Rubinek), learns of Niles' unrequited feelings for her from an extremely medicated Frasier in "Back Talk." If Daphne's impending marriage was not obstacle enough to keep them apart, there is fussy, phobic, and formidable Dr. Mel Karnofsky (Jane Adams), Maris's former plastic surgeon, who is introduced in "The Late Dr. Crane" as a romantic interest for Niles.
