It was one of those "something in the air" moments in Hollywood. In the space of a year, four different films came out on the same subject: A kid lands in an adult's body (and, often, vice versa--get it?). The best was Big, but this one was surprisingly amusing, thanks to a goofily adolescent performance by Judge Reinhold (as the kid in an adult's body) and a comically serious one by young Fred Savage, who can convey the sense of an grownup trapped in a kid's world.
In this fiendishly funny comedy from the creators of "Airplane!," loathesome millionaire Sam Stone (Danny DeVito) is ruthless. How ruthless? When his shrill wife Barbara (Bette Midler) is nabbed by inept kidnappers (Judge Reinhold, Helen Slater), Sam cries tears of joy and refuses to pay the ransom. And when the abductors threaten to kill the abrasive heiress, Sam takes immediate action - he celebrates!
Gremlins is a whee of a film (if you don't mind the occasional gross-out) from producer Steven Spielberg, writer Chris Columbus, and director Joe Dante. Zach Galligan is the young man whose inventor father (Hoyt Axton) gives him an odd Christmas present: a tiny, furry creature that comes with a set of rules: don't get him wet, don't feed him after midnight, and keep him away from direct sunlight. But Galligan breaks the first rule and the damp little critter pops out a dozen little offspring.
It's Awesome! Totally Awesome! Fast times at Ridgemont High, directed by Amy Heckerling (Clueless), is simply a modern cult classic. First-time screenwriter Cameron Crowe (Jerry Maguire), went undercover as a high school student and came back with the straight dope on sex, drugs, and rock 'n' roll, while capturing some of the most memorable screen characters ever.
The 1988 sequel to one of the most successful movies of all time finds Eddie Murphy reprising his role as Detroit police detective Axel Foley, and once again playing a fish out of water as he tries to solve a series of heists in Beverly Hills that may be connected to the attempted murder of his friend, a Beverly Hills police captain (Ronny Cox). Constructed in a much flashier and faster-paced visual style than the first film, the song still remains the same as Foley tries to keep his job in Detroit while solving crimes for the Beverly Hills cops.
While its sequels were formulaic and safe, the first Beverly Hills Cop set out to explore some uncharted territory, and succeeded. A blend of violent action picture and sharp comedy, the film has an excellent director, Martin Brest (Scent of a Woman), who finds some original perspectives on stock scenes (highway chases, police rousts) and hits a gleeful note with Murphy while skewering L.A. culture. Good support from Judge Reinhold and John Ashton as local cops not used to doing things the Detroit way (Murphy's character hails from the Motor City).
