Julie Kavner

Robin Williams plays Dr. Malcolm Sayer, a shy research physician who uses an experimental drug to "awaken" the catatonic victims of a rare disease. DeNiro co-stars as Leonard, the first patient to receive the controversial treatment. His awakening, filled with awe and enthusiasm, proves a rebirth for Sayer, too, as the exuberant patient reveals life's simple - but unutterably sweet - pleasures to the introverted doctor. Encouraged by Leonard's stunning recovery, Sayer administers the drug to other patients.

For 16 years, Alice Tate (Farrow) has been ignored by her husband (Hurt), spoiled by wealth and tranquilzed by boredom. But when she unexpectedly falls for sexy musician (Mantegna) and impulsively consults a mysterious Chinese herbalist for advice, Alice begins a madcap journey into a strange new world of possibilities. But as she begins to realize who she is and what she values, Alice must also confront her deepest fears and decide how far she'll go for love...and what she'll risk to change her destiny.

A "richly nostalgic" (Leonard Maltin) and star-studded portrait of the 1940s, Woody Allen's Radio Days weaves together a young boy's comical memories with zany stories from the golden age of radio, to create a delightful tapestry of heartwarming and hilarious vignettes. Expertly rendered and "densely packed with vivid detail" (The New York Times), Radio Days is "one of the loveliest eulogies a filmmaker has ever given to any bygone era" (L.A. Weekly)!

Click is a high-concept, low-brow variation on It's a Wonderful Life that will have Adam Sandler fans laughing even as it leaves Frank Capra spinning in his grave. In their third collaboration (after The Wedding Singer and The Waterboy, Sandler and director Frank Coraci aim at the lowest common denominator and consistently hit their target, from scary casting (David Hasselhoff as Sandler's shallow, sexist boss; Sean Astin in a tight red Speedo) to a rancid menu of fart jokes, fat jokes, oversexed dogs, and other attempts at humor that rarely rise above the level of grade-school pranks.

Considered by many to be Woody Allen's best film, even over Annie Hall. Hannah and Her Sisters follows a multitude of characters: Hannah (Mia Farrow), who plays den mother to her extended family; her sister Lee (Barbara Hershey), emotional and a bit of a flake, who's involved with a much older artist (Max Von Sydow), who treats her like a child; and Hannah's other sister, Holly (Dianne Wiest), a neurotic who feels incapable of managing her life. Hannah's husband Elliot (Michael Caine) falls in love with Lee, which sets off a series of upheavals.