A father trying hard to 'fit-in' in his son's badass world. A son trying hard to 'dude-up' his dad from 'aiiiyyyo' to 'YO!' And a mother lost in translation between her husband's 'ingeva' and her son's 'Inn'it!' While Shekhar was trying every trick in the book to woo his son, get 'dude-ified' and 'up his coolness quotient' his son had given up on him. Just when the father-son duo hit a deadlock Shekhar strikes gold when he designs one hell of a game.
The magnificent story of one's journey from savage warrior to messenger of peace. Asoka traces the life of Emperor Asoka, the grandson of Chandragupta Maurya who ascended the throne of Magadha in the 3rd century B.C. To extend the borders of his empire, Asoka waged one of the bloodiest battles in history with the neighboring kingdom of Kalinga leaving it ravaged and devestated.
Farhan Qureshi and Raju Rastogi want to re-unite with their fellow collegian, Rancho, after faking a stroke aboard an Air India plane, and excusing himself from his wife - trouser less - respectively. Enroute, they encounter another student, Chatur Ramalingam, now a successful businessman, who reminds them of a bet they had undertaken 10 years ago.
Satyagraha is the story of a son who yearns for a father. Of a father, who grieves for his lost son. Of a young woman who fights so hard with life that she has forgotten to love. Of an ambitious rabble-rouser, for whom action is the knee-jerk mantra. It is the story of how these four discover one another, and come together to raise hell, shaking the powers that be to their very roots! But, Satyagraha is also the story of an influential power-hungry despot who will stop at nothing to destroy them. Satyagraha: The revolution has begun!
The film is based on the life a superstar heroine. The film shows the reality behind the world of fame and glamour. It is a daring, shocking, glamorous, scandalous portrayal of cinema world. Heroine will take audiences on a surprising journey to see what really goes on behind the closed doors of make up rooms and vanity vans. It focuses on the secrets and the lies, highs of fame and the lonely depths of failure.
One late evening, near Mumbai's red light district, a car careens off the infamous Seaface Road and hurtles into the sea. The car's lone occupant doesn't survive the plunge. And when word circulates that the casualty is a famous Bollywood film star, what starts out as a routine auto accident investigation soon catapults the morose lead detective, Inspector Surjan Singh Shekhawat (Aamir Khan), into a haunting maze of deception, fatal attraction, and murder. Maybe it's significant that similar freak accidents have happened on that same road.
Omkara is a compelling adaptation of Shakespeare's Othello, with standout acting by all involved. The film is set in rural Uttar Pradesh, almost a modern "wild west" with its depiction of a hardscrabble life ruled by lawlessness and political corruption. Omkara is gripping from beginning to end as you watch Omkara's suspicion grow, fed by Langda's need for revenge. Ajay Devgan is at his smoldering best as Omkara/Othello and you will hardly recognize Saif Ali Khan in the Langda/Iago role; he excels in this villainous part, the kind of thing he does not usually play.
Mujhse Dosti Karoge is a romantic flick that guarantees to give the audience the quality in the banner of Yash Copra production. Raj (Hrithik Roshan), Pooja (Kareena Kapoor) and Tina (Rani Mukherjee) are friends since childhood. Raj always has a crush to Tina, even he and his family must leave to London, he keep send Tina e-mail. But, the ultra-chick Tina doesn't have any mood to replying it, so she gives the task to Pooja. So, all the times, in 15 years, Pooja keep writing email to Raj by the name of Tina. The love triangle comes as result, when eventually Raj coming back to Simla.
Kabhi Khushi Kabhie Gham shines from start to finish, and runs the gamut of emotions. The cinematography, sets, and costumes are brilliant. The sparkling performances of six of India's leading actors alone makes the movie worth seeing, even if some might not feel comfortable with the deep sentimentality displayed by the leading men (women are fine with this; American men sometimes find it unnerving). Hrithik Roshan is pure eye candy for women of all ages, somehow oozing sweetness and innocent sexuality at the same time.
Aditya (Shahid Kapur), a defeated industrialist, is even more broken as the girl he loves is getting married. Unable to muster up the courage to return home, he drifts out of the gathering and aimlessly boards a train, bounding away into the night. As destiny would have it, on the train he meets Geet (Kareena Kapoor) a beautiful but annoyingly talkative girl who is leaving Mumbai to go her hometown Bhatinda (Punjab). Later, she has plans of eloping with her boyfriend. Geet irritates Aditya to the point of getting him to leave the train.
