Set in the chillingly possible future of 2054, Steven Spielberg's Minority Report is arguably the most intelligently provocative sci-fi thriller since Blade Runner. Like Ridley Scott's "future noir" classic, Spielberg's gritty vision was freely adapted from a story by Philip K. Dick, with its central premise of "Precrime" law enforcement, totally reliant on three isolated human "precogs" capable (due to drug-related mutation) of envisioning murders before they're committed.
Freeways are clogged. Terror stalks our cities. At shops and restaurants, the customer is seldom right. The pressure of big-city life can anger anyone. But Bill Foster is more than angry. He's out to get even. "I'm going home," Foster says as he abandons his gridlocked car on the hottest day of the year. Instead, he walks straight into an urban nightmare by turns absurdly funny and shatteringly violent. Academy Award winner Michael Douglas is Foster, an ordinary guy at war with the frustrations of daily living.
