In 1992, Woody Allen and Mia Farrow--heretofore the Lunt and Fontanne of Hollywood on the Hudson--went public with a media-saturated battle over Allen's affair with Farrow's adopted daughter. Only a few months later, Allen released this film, starring himself and Farrow acting out a virtually identical plot line: an unhappy marriage begins to crumble when the husband strays with a much younger woman (in this case, one of his students, played by Juliette Lewis).
American auteur Woody Allen explores themes of good and evil in this masterful modern-day morality play. When opthamologist Judah Rosenthal (Oscar-nominated Martin Landau) is threatened with ruin by his mistress if he doesn't marry her, he considers the ultimate solution to his problem: murder. Meanwhile, documentary filmmaker Clifford Stern is faced with an equally heinous moral dilemma: selling out. Allen compares the choices both men make, using a double storyline to brilliantly pair sharp comedy with harrowing drama.
Often overlooked, Broadway Danny Rose has developed a cult following among select Woody Allen fans; Chris Rock, of all people, says it's one of his favorite films. Allen plays a devoted talent agent for acts whose talent is, shall we say, marginal. But one of his clients, a faded singer named Lou Canova (Nick Apollo Forte), suddenly has a chance to perform for a record executive. Nervous, Canova insists that Rose bring his girlfriend to the show--unfortunately, his girlfriend is Tina Vitale (Mia Farrow), the wife of a big-time mobster.
