Orson Welles

Celebrate the ultimate frogs-to-riches story with the one that started it all - The Muppet Movie. Laugh along with the mostly-true story of how the Muppets got their start. From the very first "plunk!" of Kermit's banjo playing "The Rainbow Connection" (Oscar nominee, Best Original Song, 1979), to the hysterical road trip that brings our fearless frog together with Fozzie, Gonzo, Animal and most importantly of all, Miss Piggy, join the jam-packed heartwarming hilarity, outrageous antics and big-shot Hollywood cameos.

Gene Wilder and Donald Sutherland play two sets of identical twins who are mismatched at birth shortly before the French Revolution. One pair is reared as royalty; the other is raised as the children of peasants. The plot in this film by Bud Yorkin is a wonderful mishmash of Dumas, Victor Hugo, and Moli?re, with the peasant brothers joining the revolutionaries while their bizarrely foppish siblings eat cake and ignore the events around them.

Mel Brooks's 1981, three-part comedy--set in the Stone Age, the Roman Empire, and the French Revolution--is pure guilty pleasure. Narrated by Orson Welles and featuring a lot of famous faces in guest appearances (beyond the official cast), the film opens well with Sid Caesar playing a caveman, then moves along to the unlikely but somehow hilarious juxtaposition of Caesar's soldiers (the other Caesar, not Sid) with pot humor, and ends on a dumb-funny note in the French bloodbath. This is a take-it-or-leave-it movie, and it works best if you're in a take-it-or-leave-it mood.

John Huston was only one of five directors on this expensive, all-star 1967 spoof of Ian Fleming's 007 lore. David Niven is the aging Sir James Bond, called out of retirement to take on the organized threat of SMERSH and pass on the secret-agent mantle to his idiot son (Woody Allen). An amazing cast (Orson Welles, Peter Sellers, Deborah Kerr, etc.) is wonderful to look at, but the romping starts to look mannered after awhile. The musical score by Burt Bacharach, however, is a keeper.

Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist.