Richard Donner

Fully recovering from the wretched flop Timeline, director Richard Donner brings seasoned skill to 16 Blocks, a satisfying thriller boosted by intelligent plotting and the stellar pairing of Bruce Willis and Mos Def in quirky, well-written roles. Making the most of minimal dialogue, Willis plays Jack Mosley, a boozy, disillusioned New York City detective who reluctantly accepts an assignment to transport squeaky-voiced chatterbox Eddie Bunker (Mos Def) to a grand jury hearing where he's scheduled to testify against a group of corrupt, drug-dealing cops.

Richard Donner's 1978 epic about the Man of Steel showed how a film about a superhero could be a moving and romantic experience even for people who long ago gave up comic books. Beginning on the icy planet Krypton, the story follows the baby Kal-El, whose rocket ship lands in Smallville, Kansas. He is found there by a childless couple and raised as the shy Clark Kent (the young Kent is played by Jeff East).

When Kathy Thorn (Lee Remick) gives birth to a stillborn baby, her husband Robert (Gregory Peck) shields her from the devastating truth and substitutes an orphaned infant for their own - unaware of the child's satanic origins. The horror begins on Damien's fifth birthday when his nanny stages a dramatic suicide. Soon after, a priest who tries to warn Damien's father is killed in a freakish accident. As the death toll mounts, Robert realizes his son is the Antichrist and decides he must kill the boy to prevent him from fulfilling a cataclysmic prophecy.

Pure dynamite! The Lethal Weapon team has done it again, putting the match to the fuse and putting the WOW! back on screen for Lethal Weapon 4. Mel Gibson and Danny Glover return as buddy cops Riggs and Murtaugh, with Joe Pesci riding comedy shotgun as chatterbox Leo. Murtaugh is still the family man. Riggs is still the gonzo loose cannon - what's this? - family man. His will he/won't he marriage to Cole (Russo) is one of the new wrinkles in this powerhouse crowd-pleaser that also stars comedy favorite Chris Rock and international action star Jet Li.

The characters, action and comedy are back - plus something new. Riggs meets someone he never expected to find: his female alter ego, Lorna Cole (Rene Russo). With this director's cut of Lethal Weapon 3, something newer is added: three minutes of never-before-seen footage! Remember the marina slugfest between Riggs and Murtaugh (Danny Glover)? New scenes between Riggs and Murtaugh's daughter Dianne (Traci Wolfe) add subtext to his fighting-mad protectiveness.

With over seven minutes of previously unavailable scenes, the director's cut of Lethal Weapon is a long overdue present for fans. Riggs' solitary homelife and the tragic loss spurring him to a reckless disregard for his own safety now come into greater focus. We see that recklessness in new scenes underlining the differences between the two cops. Murtaugh, just 50, needs reassurance about his skills at a firing range. Riggs, not caring if he sees another birthday, coolly walks into a schoolyard sniper's field of fire.

Got it - and more. Over four specially added minutes put the boys back in action as never before in this director's cut version of Lethal Weapon 2. Riggs wows the pretties at a hotel spa before getting to Getz. Murtaugh receives bad bodywork news from an auto repairman after his beleaguered station wagon sees some Riggs-piloted street action. Plus, feisty Leo shares a newly included scene in which he recalls a suspect's address by complex spins of numbers that...well, no one can tell it like Leo. And no one would follow his lead but Riggs and Martaugh. It's police procedure, Lethal style.

You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners.