Steven Spielberg, proving he's one of the few modern filmmakers who has the visual fluency to be capable of making a great silent film, took a melodramatic, D.W. Griffith-inspired approach to filming Alice Walker's novel. His tactics made the film controversial, but also a popular hit.
Modeled after 1963's It's a Mad, Mad, Mad, Mad World, Jerry Zucker's Rat Race lacks the irreverence of Zucker's 1980 hit Airplane! but has enough chuckles to make it an agreeable time-killer. Like Mad, Mad, Mad..., it employs a huge ensemble of comedy stalwarts, assembled by an eccentric hotelier (pearly-toothed John Cleese) to race from Las Vegas to New Mexico for a $2 million jackpot.
Emilio Estevez (The Mighty Ducks, Young Guns 1 & 2, Stakeout) and Samuel L. Jackson (The Negotiator, Star Wars: Episode 1) are Colt and Lugar, two dangerously over-the-edge detectives who uncover a despicable plot to simultaneously rot America's brains and teeth with drug-laced Wilderness Girl cookies.
Think of the most touching love story you ever saw. Think, too of the brightest comedy, the most astonishing supernatural tale and a sleek mystery-thriller. Did you come up with four separate films? Or are you among the millions of fans and critics who've discovered Ghost, the No. 1 film of 1990? Ghost will surprise you, delight you, make you believe. Patrick Swayze plays a ghost who teams with a psychic (Whoopi Goldberg) to uncover the truth behind his murder - and to rescue his sweetheart (Demi Moore) from a similar fate.
The seventh and final season of Star Trek: The Next Generation will always remain a curiosity in TV sci-fi history. Despite the end being definite, despite Deep Space Nine taking over, despite knowing there'd be a movie six months after the series' end, and despite Babylon 5 starting that year with its predetermined story arc, there is nothing here to suggest things were coming to a close. Wesley finally gets dispatched ("Journey's End"), but everyone was waiting for that anyway.
As the sixth season of Star Trek: The Next Generation went into production, everyone knew that attentions would soon be permanently divided by the debut of Deep Space Nine. Sure enough, that meant crossovers ("Birthright"), guest stars, and references back and forth. The sense of baton-passing drew the TNG family closer, however. Directorial debuts begun in season 5 allowed for repeat group-huddle ownership of several shows.
The fifth season of Star Trek: The Next Generation saw some of the very best of all 178 shows. "Darmok" had the feel of a "classic Trek" episode, dealing with language as metaphor. "The First Duty" challenged Wesley Crusher's loyalties. The season closer "Time's Arrow" (which concluded in year 6) ranks as one of the best TNG cliffhangers, and treats fans to canon-changing story lines and tons of in-jokes. Best of all was the painfully melancholy "The Inner Light," in which Picard experiences an alternate lifetime.
Season 4 of Star Trek: The Next Generation seemed like the year of family. After quickly resolving the breathtaking cliffhanger of "The Best of Both Worlds," the show took pains to show some of what the Federation was fighting for. We meet Picard's brother, Data's father, Tasha's sister, and Worf's adoptive human parents, plus an old flame with a surprise son in tow. The Klingon heritage subplot that begins here and builds to the cliffhanger finale ("Redemption") would continue to the show's end and through into Worf's reappearance in Deep Space Nine.
Star Trek: The Next Generation's third year was an important development in syndicated television. After two shaky years, Paramount nonetheless decided the franchise still had plenty to do. Their confidence was bolstered by two significant factors. First, cast uncertainties were finally settled: Gates McFadden (Dr. Crusher) was back for good; Denise Crosby (Tasha Yar) regretted her first-year departure, and so contrived a return in the Emmy Award-winning "Yesterday's Enterprise"; and Whoopi Goldberg happily continued her actor's-scale contributions.
