Overwhelmed by her suffocating schedule, touring European princess Ann (Audrey Hepburn) takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley (Gregory Peck),who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Hotshot Hollywood screenwriter Richard Benson (William Holden) is in trouble. He sold a script idea to decadent producer Alexander Meyerheim (Noel Coward), but has wasted all the time he had to finish the screenplay by traipsing around Paris. With just a couple of days left before the deadline, Benson gets a new assistant named Gabrielle Simpson (Audrey Hepburn), who helps him put together a love story by acting out all the possible scenarios. But life eventually beginning to imitate art.
An aging silent film queen refuses to accept that her stardom has ended. She hires a young screenwriter to help set up her movie comeback. The screenwriter believes he can manipulate her, but he soon finds out he is wrong. The screenwriters ambivalence about their relationship and her unwillingness to let go leads to a situation of violence, madness, and death.
Brassy blonde moll Billie Dawn (Judy Holliday) hits Washington, D.C., with her unscrupulous millionaire sugar daddy, Harry Brock (Broderick Crawford), and his sleazy lawyer, Jim Devery (Howard St. John), who has been pressuring Harry to marry Billie by pointing out that a wife cannot be forced to testify against her husband. In an effort to make Billie more socially acceptable, Harry hires journalist Paul Verrall (William Holden) to smarten her up -- and sparks soon fly between the pair.
One of the best action movies ever made, in a cleaned-up print restoring crucial parts of the story. No cavalry ever rode in with more epochal impact than the Wild Bunch in the legendary opening scene. Their steel-eyed leader, Pike (William Holden), and his robbers in stolen army uniforms help an old lady across the street, and then spark a massacre led by Pike's old crony Thornton (Robert Ryan), sprung from jail to hunt down his old gang.
John Huston was only one of five directors on this expensive, all-star 1967 spoof of Ian Fleming's 007 lore. David Niven is the aging Sir James Bond, called out of retirement to take on the organized threat of SMERSH and pass on the secret-agent mantle to his idiot son (Woody Allen). An amazing cast (Orson Welles, Peter Sellers, Deborah Kerr, etc.) is wonderful to look at, but the romping starts to look mannered after awhile. The musical score by Burt Bacharach, however, is a keeper.
Director David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre. The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge.
