Wong Kar-Wai

Role: 

Happy Together

Tony Leung (Hero, Red Cliff) and Leslie Cheung (Knock Off) play a pair of lovers living out the waning days of their relationship as expatriates in Buenos Aires. Lusty tango bars, the salsa music of the La Boca sidewalks, and a hypnotic visit to the nearby Iguazu Falls give further dimension to the tensions growing between the two lovers. From Director Wong Kar-Wai (Chungking Express, My Blueberry Nights, Fallen Angels). Note: filed under "World of Wong Kar Wai" in Drama.

Fallen Angels

A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a colleague he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape of contemporary Hong Kong, he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world's attention in his own unconventional ways. Note: filed under "World of Wong Kar Wai" in Drama.

Chungking Express

Two stories of heartbroken police officers trying to move on from ex-lovers. First story has Cop 223 (Takeshi Kaneshiro) and his intertwined fate with a mysterious woman in a blonde wig. Second story with Cop 663 (Tony Leung Chiu-wai) has his attention roused by a food stand employee Faye (Faye Wong). Anything goes in Wong's gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas' "California Dreamin'" into tokens of romantic longing.

Days Of Being Wild

Wong Kar-Wai's follow up to 'As Tears Go By' (1988) marked a turning point in Eastern cinema, straddling both 'art house' and action features. Set in Hong Kong in 1960 during a sweltering summer it follows Yuddi's (Leslie Cheung) search for some meaning in his life. He has affairs with two beautiful women and hangs out with his friends, before leaving for the Philippines in search of his mother. Note: filed under "World of Wong Kar Wai" in Drama.

As Tears Go By

Already stretched to breaking in a loyalty tug of war between Triad bosses and his loose cannon partner, Wah (Andy Lau - Fulltime Killer, Days of Being Wild), a rising star in the HK underworld, finds himself saddled with beautiful, ailing country cousin Ngor. As an escalating test of wills with a stubborn debtor explodes into bloodshed and a mob turncoat instigates a ruthless police crackdown, Wah's growing fascination with Ngor becomes his last chance for escape from a violent past and a dubious future. Note: filed under "World of Wong Kar Wai" in Drama.

In The Mood For Love

Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite-until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments.

The Grandmaster

From the acclaimed director/writer Wong Kar Wai comes an epic tale inspired by the life of the warrior hero who taught Bruce Lee. Asian superstar Tony Leung (In The Mood For Love) portrays legendary kung fu master lp Man, who survived the turmoil of 1930s China to change the world of martial arts forever. Ziyi Zhang (Crouching Tiger, Hidden Dragon) and Chang Chen (Red Cliff) co-star in this visually stunning saga of love, honor and vengeance, featuring breathtaking action choreography by Yuen Wo Ping (The Matrix, Kill Bill).

2046

In Wong Kar Wai's quasi-sequel to In the Mood for Love, 2046 is a hotel room, a futuristic story, and a state of mind. Tony Leung returns as Chow, but perhaps not the same Chow who appeared in the first film. Starting three years later in 1966, we see Chow on various Christmases as he lives, loves, and writes in a hotel and nearby restaurants. Although he is less sensitive and more of a ladies man now, Chow's love life always seems to exceed his grasp. Whether the character is the same (the director calls this an "echo" of the first movie) might be trivial.

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