It's not exactly Fred Astaire and Ginger Rogers, but this 1998 entry, starring Vanessa Williams and newcomer Chayanne offers its own terpsichorean pleasures. The story centers on Rafael Infante (Chayanne), a Cuban émigré to Texas, where he takes a menial job at a local dance studio run by John Burnett (Kris Kristofferson). There, he falls for Ruby Sinclair (Vanessa Williams), a one-time ballroom championship contender looking for the opportunity to compete for the title once more.
A powerful story of life on the border between the United States and Mexico, Bordertown is based on the hundreds of women working in American-owned factories who have been brutally raped and murdered in Juarez, a city gripped by fear. The attacks have been covered up by the local authorities, and still continue today. When editor of the Chicago Sentinel George Morgan (Sheen) sends ambitious reporter, Lauren Adrian (Lopez), to Juarez, Mexico to investigate the murders, what she finds is the story of a lifetime.
Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust.
Hailed as "one of the year's most intriguing dramas" (Claudia Puig, USA Today), The Visitor stars Richard Jenkins (Six Feet Under) in a "perfect performance" (Lisa Schwarzbaum, Entertainment Weekly) as Walter, a disaffected college professor who has been drifting aimlessly through his life. When, in a chance encounter on a trip into New York, Walter discovers a couple has taken up residence in his apartment in the city, he develops an unexpected and profound connection to them that will change his life forever.
Swiping its title from the inscription on the Statue of Liberty ("I lift my lamp beside the golden door!"), Emanuele Crialese's third film manages to be epic and quirky at the same time. In most coming-to-America stories set during the turn-of-the century, a prologue establishes the central character's birthplace. Then, he boards a ship. In the next scene, he disembarks on American soil. The rest of the movie concerns his (or her) efforts to adjust to a new culture. Crialese (Respiro) ditches that last part altogether.
John Schlesinger's solid adaptation of Thomas Hardy's novel sees three rival suitors vying for the affections of the beautiful Bathsheba Everdene (Julie Christie decked out in a variety of bonnets and frilly dresses), who has just inherited a farm. The men in her life are stout, whiskered yeoman Gabriel Oak (Alan Bates), an impoverished local farmer; neurotic, repressed squire William Boldwood (Peter Finch); and handsome rascal Sgt. Troy (Terence Stamp), who breaks women's hearts for a hobby.
Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity, and loving, responsible parenthood.
Clint Eastwood directs Oscar winner Angelina Jolie and Oscar nominee John Malkovich in a riveting and unforgettable true story. Los Angeles, 1928. When single mother Christine Collins (Jolie) leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son; but he isn't her boy. Driven by one woman's relentless quest for the truth, the case exposes a world of corruption, captivates the public and changes Los Angeles forever.
Sometimes, you only get one chance to follow your dreams. So, when a brokenhearted street musician clicks with a beautiful and feisty keyboardist, the unlikely couple decides they have nothing - and everything - to lose. Over the course of one electric week, the duo writes, performs and records an incredible cycle of songs every bit as spontaneous and soulful as their improbable romance. This truly unforgettable blend of transcendent pop music and raw, naturalistic storytelling is absolutely mesmerizing, because something this passionate and original comes along only... Once.
An energized and passionate, if selective, telling of the story of Chess Records, Cadillac Records is a worthy entry in the niche genre of movies about rock and roll roots. Adrien Brody plays Leonard Chess, who started Chess Records in Chicago in 1947 and turned the label into an important force for blues, rhythm and blues, gospel and, in time, early rock and roll.
