Bolero, directed by Bo Derek's husband John, comes billed as "a masterpiece of erotic adventure". Upon graduating from school in Britain, the wealthy Ayre "Mac" McGillvary (Bo Derek) hungers for more education in the art of love! Journeying to Morocco, she meets a handsome sheik, but alas, he falls asleep while seducing her. A hot-blooded matador in Spain does not disappoint, however. Unlocking her deepest desires, her world-class lover gives her a lesson in ecstasy she'll never forget.
Bolstered by an OscarÆ-caliber performance by Philip Seymour Hoffman in the title role, Capote ranked highly among the best films of 2005. Written by actor/screenwriter Dan Futterman and based on selected chapters from the biography by Gerald Clarke, this mercilessly perceptive drama shows how Truman Capote brought about his own self-destruction in the course of writing In Cold Blood, the "nonfiction novel" that was immediately acclaimed as a literary milestone.
Based on the true story of Domino Harvey (Keira Knightley), daughter of film actor Laurence Harvey. Tired and unsuited to the pretentiousness of her high-society LA life, Domino leaves the glittarti behind and sets off to become a bounty hunter. She quickly falls under the wing of veteran hunter Ed Mosley (Mickey Rourke) and his crew and becomes an unlikely natural in the art of bounty hunting.
Daniel Day-Lewis stars as Tomas, the happily irresponsible Czech lover of Milan Kundera's novel, which is set in Prague just before and during the Soviet invasion in 1968. Lena Olin and Juliette Binoche are the two vastly different women who occupy his attention and to some extent represent different sides of his values and personality. In any case, the character's decision to flee Russian tanks with one of them--and then return--has profound consequences on his life.
Academy Award winner Al Pacino and Matthew McConaughey star in this adrenaline-charged drama about the sexy, high-stakes world of sports betting, where fortunes can be made and lost with the flip of a coin. When Brandon Lang (McConaughey) becomes the protÈgÈ of sports gambling's power player, Walter Abrams (Pacino), he swiftly becomes the golden boy of the high-rolling world for consistently picking football winners. Now, with millions on the line, he finds himself in a deadly game of con-versus-con with his new mentor.
Elegantly adapted from David Auburn's Pulitzer Prize-winning play, Proof works on so many levels that it shines like a perfected equation. Gwyneth Paltrow previously played her role onstage, and returns here as Catherine, the troubled 27-year-old daughter of Robert, a once-brilliant mathematician (Anthony Hopkins, appearing in flashbacks and imagined visions) who has recently died. What Robert has left behind is an emotionally challenging legacy of genius, mental illness, and unfinished business in the Chicago home where Catherine had cared for him during his erratic final years.
Literary adaptations just don't get any better than director Joe Wright's 2005 version of Jane Austen's Pride & Prejudice. The key word here is adaptation, because Wright and gifted screenwriter Deborah Moggach have taken liberties with Austen's classic novel that purists may find objectionable, but in this exquisite film their artistic decisions are entirely justified and exceptionally well executed.
A sterling cast and vivid direction give North Country an emotional heft to match its political convictions. Charlize Theron (Monster) plays Josey Aimes, who goes to work at a Minnesota steel mine after splitting with her violent husband. But the job proves to be almost as harrowing as her marriage; the male miners, resentful of women taking jobs, verbally abuse and play humiliating pranks on the female miners.
The dominant themes of director Sidney Lumet's distinguished career are in full force in this moral melodrama involving a young district attorney (Andy Garcia) who takes on a career-making case only to uncover his father's possible involvement in pervasive police corruption. Balancing personal ethics and political compromise in a high-wire act of power and its abuse, Lumet relies on dialogue and superb performances (including those by Ron Leibman, Richard Dreyfuss, and Lena Olin) to achieve a devastating impact.
The unflinching realism and searing performances of Monster's Ball are stunning in all the connotations of the word. Hank (Billy Bob Thornton) and Leticia (Halle Berry) inhabit stark, queasy realities of the contemporary South, he as a death row corrections officer and she as the soon-to-be widow of an inmate (Sean Combs) whose execution Hank helps conduct. In the aftermath of the execution, both lose their children to tragic deaths and they form an unlikely bond.
