Horror

Even skeptical fans of the Blade franchise will enjoy sinking their teeth into Blade: Trinity. The law of diminishing returns is in full effect here, and the franchise is wearing out its welcome, but let's face it: any movie that features Jessica Biel as an ass-kicking vampire slayer and Parker Posey--yes, Parker Posey!--as a vamping vampire villainess can't be all bad, right? Those lovely ladies bring equal measures of relief and grief to Blade, the half-human, half-vampire once again played, with tongue more firmly in stone-cold cheek, by Wesley Snipes. With series writer David S.

It's the boys' night out, time for bawdy fun. Yet revelry alone can't satisfy these community leaders out on a lark. There's still an adventure they can be duped into trying, one that will transform a certain Count from moldering dust into blood-lusting flesh. Taste the Blood of Dracula, the fourth film in Hammer Studios' cycle of hemogobbling Victorian-Era horror, is a showcase of why Hammer became the name in Gothic terror. The solid cast and rich production design raise goosebumps to real-life fear and otherworldly dread.

After the assault and suicide of one of his ex-patients, award-winning child psychologist Malcolm Crowe (Bruce Willis) is left determined to help a young boy named Cole, who suffers from the same diagnosis as the ex-patient--they both see dead people. Malcolm cannot rest until he makes amends for his feelings of failure, created by the mental breakdown of the first patient. Cole is a young boy who is paralyzed by fear from his visions of dead people. His mother is at her wits end trying to cope with Cole's eccentricities. With the help of Dr.

She's living in the gateway to hell. In this gruesome shocker directed by Michael Winner (Death Wish, Lawman), model Alison Parker (Cristina Raines) learns that the Brooklyn Heights house where she rents an apartment guards the gateway to Hell. Base on the bestseller by Jeffrey Konvitz, who wrote and produced the film with Winner, it stars horror legend John Carradine as the blind Father Halliran, who maintains a solitary vigil against the forces of evil.

Think of the greatest terror imaginable. Is it a monstrous alien? A lethal epidemic? Or, as in this harrowing masterpiece from Stanley Kubrick, is it fear of murder by someone who should love and protect you - a member of your own family? From a script he co-adapted from the Stephen King novel, Kubrick melds vivid performances, menacing settings, dreamlike tracking shots and shock after shock into a milestone of the macabre.

Brought back from his dead mouldering remains with blood drooled on them by one of the bats he commands, Count Dracula once again spreads his evil from his mountaintop castle. When libertine Paul Carlson disappears one night, his more sober brother Simon and his girlfriend trace him to the area, discovering a terrified populace. Thrown out of the inn, they make their way, like Paul before them, towards the sinister castle and its undead host.

During a routine drive to his observatory, Professor Quatermass (Brian Donlevey) stumbles upon a mysterious government facility surrounded by guards and mines. Curious of this unusual site, Quatermass begins to investigate and discoversia remarkably large number of meteors in the area. As his investigation comes to a turning point, Quatermass comes to a horrific conclusion: alien invaders. The ensuing danger could mean the end of human civilization!

The thriller that began five million years ago in another world has come to earth! A London subway excavation abruptly halts when construction workers find a cluster of prehistoric skulls and skeletons. Anthropologist Dr. Roney (James Donald), his assistant Barbara Judd (Barbara Shelley), andispace expert Professor Quatermass (Andrew Keir) are driven by curiosity and dig deeper to discover a "strange" missile that is not of this earth.

At last--a great American movie available on video for the first time in its original aspect ratio. For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you.

What a combo! Tobe Hooper, the director of The Texas Chainsaw Massacre, teamed up with family-oriented producer Steven Spielberg to make Poltergeist. The film is about a haunted suburban tract home in a development very much like the Arizona one in which Spielberg was raised. (Because it came out the same summer as Spielberg's E.T., it was tempting to see both movies as representing Spielberg's ambivalent feelings about childhood in suburbia.