War/Military

As in Basic Instinct, a lovely lady takes the lead in Black Book, but this time Paul Verhoeven has more than cheap thrills in mind. Towards the end of WWII, Rachel Stein (the vibrant Carice von Houten), a Jewish singer, is living with a gentile family in the countryside. When Allied forces bomb the area, she's forced to flee. On her perilous journey to The Hague (Verhoeven's hometown), brunette Rachel joins the Resistance and changes her identity to blonde Ellis de Vries. Her next order of business: infiltrate Gestapo headquarters.

There's no mistaking the 1968 mood of Play Dirty: this cynical war movie could only have been made during the disillusioned Vietnam era, despite its WWII subject. Michael Caine plays a British captain in North Africa, tapped to lead a suicidal mission across the desert to destroy a German fuel depot. He's got a scurvy band of mercenaries to help him (this was a year after The Dirty Dozen, so keep that in mind), although most of the time they seem indifferent to both the job and Caine's survival.

Volunteers from all branches of the Allied forces made up the Australian 2 Special Force Unit, which carried out a total of 284 missions during World War II. Tight, suspenseful Attack Force Z effectively dramatizes one such sortie. Five tough commandos attempt to rescue the survivors of a downed American plane on a Japanese-held island in the southwest Pacific. Their leader is Captain P.G. Kelly, played by a youthful Mel Gibson. It's Kelly's first time in charge, and his fellow commandos, especially renegade Lieutenant J.A.

War is hell, but it can bring out the best in the unlikeliest of men. Sword of Honour, a splendid British miniseries, is based on the semi-autobiographical novel by Evelyn Waugh. Waugh's alter ego in the film, Guy Crouchback, played with gravitas, fortitude, and a wee bit of vulnerability by a pre-James Bond Daniel Craig, joins the World War II effort as an older soldier because he feels a pure calling to fight evil. And fight he does, though the realities of war and army life are ultimately revealed to him in all their venality and haphazardness.

This rousing, explosive 1961 WWII adventure, based on Alistair MacLean's thrilling novel, turns the war thriller into a deadly caper film. Gregory Peck heads a star-studded cast charged with a near impossible mission: destroy a pair of German guns nestled in a protective cave on the strategic Mediterranean island of Navarone, from where they can control a vital sea passage.

From the producer of Independence Day and The Patriot, and starring James Franco, Flyboys soars to new cinematic heights with spectacular special effects and thrilling, edge-of-your-seat aerial dogfights. Inspired by the true story of the legendary Lafayette Escadrille, this action-packed epic tells the tale of America's first fighter pilots. These courageous young men distinguish themselves in a manner that none before them had dared, becoming true heroes who experience triumph, tragedy, love, and loss amid the chaos of World War I. Hang on for the ride of your life!

Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic.

One of the greatest screen biographies ever produced, this monumental film runs nearly three hours, won seven Academy Awards, and gave George C. Scott the greatest role of his career. It was released in 1970 when protest against the Vietnam War still raged at home and abroad, and many critics and moviegoers struggled to reconcile current events with the movie's glorification of Gen. George S. Patton as a crazy-brave genius of World War II. How could a movie so huge in scope and so fascinated by its subject be considered an anti-war film?

This is the restored, 209-minute director's cut of Wolfgang Petersen's harrowing and claustrophobic U-boat thriller, which was theatrically re-released in 1997. Originally made as a six-hour miniseries, this version devotes more time to getting to know the crew before they and their stoic captain (J¸rgen Prochnow) get aboard their U-boat and find themselves stranded at the bottom of the sea. Das Boot puts you inside that submerged vessel and explores the physical and emotional tensions of the situation with a vivid, terrifying realism that few movies can match.

Taut and gripping, U-571 follows the exploits of a fictional team of World War II U.S. submariners who undertake a secret mission to capture a German Enigma machine to decode German documents. Writer-director Jonathan Mostow (Breakdown) tells an intense, economical tale, reminiscent of the best classic war films, while infusing it with modern sentiments. Spring 1942: A crew of young submarine sailors are on a much-needed 48-hour liberty when they're suddenly called together and engaged in an expedition.