Article | Title | Publication | Date | Category | Tags | Author sort |
---|---|---|---|---|---|---|
On The Beat: Funkadelics Nigel Lord 6 pages |
Home and Studio Recording | Dec 1990 | Composing | Drum Composing | Lord, Nigel | |
Small Studio Acoustics, Part 4 Paul White 2 pages |
Home and Studio Recording | Aug 1988 | Recording | Studio Recording | White, Paul | |
Clean Up Your Act Ben Duncan 5 pages |
Home and Studio Recording | Aug 1991 | Recording | Studio Recording | Duncan, Ben | |
Creating Composite Tracks Michael Cooper 2 pages |
Home and Studio Recording | Jun 1989 | Recording | Studio Recording | Cooper, Michael | |
Studio 103: Microphones Paul White 5 pages |
Home and Studio Recording | Dec 1987 | Recording | Studio Recording | White, Paul | |
The Pros And Cons Of Noise Gates Paul White 3 pages |
Home and Studio Recording | Jan 1991 | Recording | Studio Recording | White, Paul | |
The Gentle Art Of DI'ing Paul White 3 pages |
Home and Studio Recording | Nov 1991 | Recording | Studio Recording | White, Paul | |
Recording 101: Input Devices Aaron Hallas 2 pages |
Home and Studio Recording | Aug 1990 | Recording | Studio Recording | Hallas, Aaron | |
Throw It In Reverse Devin Thomas 3 pages |
Home and Studio Recording | Jan 1989 | Recording | Studio Recording | Thomas, Devin | |
On The Beat: Reggaenomics Nigel Lord 5 pages |
Home and Studio Recording | Jan 1991 | Composing | Drum Composing | Lord, Nigel | |
Studio 111: Sequencers Paul White 2 pages |
Home and Studio Recording | Aug 1988 | Recording | Studio Recording | White, Paul | |
Printing With Effects Bob Buontempo 2 pages |
Home and Studio Recording | Sep 1989 | Recording | Studio Recording | Buontempo, Bob | |
Organizing Your Mix Michael Cooper 3 pages |
Home and Studio Recording | Feb 1992 | Recording | Studio Recording | Cooper, Michael | |
All About Effects Paul White 3 pages |
Home and Studio Recording | Feb 1988 | Recording | Studio Recording | White, Paul | |
Pump Up The Bass Paul White 3 pages |
Home and Studio Recording | Jan 1992 | Recording | Studio Recording | White, Paul | |
Recording 101: Speakers Aaron Hallas 4 pages |
Home and Studio Recording | Sep 1990 | Recording | Studio Recording | Hallas, Aaron | |
Distinctive Home Demos: How To Make Tapes That Don't Sound Like Everybody Else's Devin Thomas 3 pages |
Home and Studio Recording | Apr 1989 | Recording | Studio Recording | Thomas, Devin | |
On The Beat: Samba Nigel Lord 5 pages |
Home and Studio Recording | Feb 1991 | Composing | Drum Composing | Lord, Nigel | |
Small Studio Acoustics, Part 5 Paul White 4 pages |
Home and Studio Recording | Sep 1988 | Recording | Studio Recording | White, Paul | |
Studio Ergonomics Bob O'Donnell 2 pages |
Home and Studio Recording | Jul 1989 | Recording | Studio Recording | O'Donnell, Bob | |
The Art Of De-essing: Part 1: What It Is And How To Prevent It Michael Cooper 2 pages |
Home and Studio Recording | May 1992 | Recording | Studio Recording | Cooper, Michael | |
Recording Drums, Part 2 Paul White 3 pages |
Home and Studio Recording | Feb 1988 | Recording | Studio Recording | White, Paul | |
Side-Chains Demystified Paul White 2 pages |
Home and Studio Recording | Mar 1992 | Recording | Studio Recording | White, Paul | |
Recording 101: Equalization Aaron Hallas 4 pages |
Home and Studio Recording | Nov 1990 | Recording | Studio Recording | Hallas, Aaron | |
Sensitive Drum Programming Geoff Levin 3 pages |
Home and Studio Recording | Apr 1988 | Composing | Drum Composing | Levin, Geoff |