| Article | Title | Publication | Date | Category | Tags | Author sort |
|---|---|---|---|---|---|---|
 |
Wire Choir: 'Tie'-Tanic Tone: "Tie Your Mother Down", And Remembering A Friend Brian May 1 pages |
Guitar World | Nov 1998 | Technique | Guitar Technique | May, Brian |
 |
Wire Choir: Creating Harmony: How I Came To Orchestrate Guitar Parts Brian May 1 pages |
Guitar World | Dec 1998 | Technique | Guitar Technique | May, Brian |
 |
Wire Choir: Doin' Alright With Chords, Part 2: Chords With Moving Bass Lines Brian May 1 pages |
Guitar World | May 1999 | Technique | Guitar Technique | May, Brian |
 |
Wire Choir: Echoes From The Past: Using The Echoplex On "Brighton Rock" Brian May 1 pages |
Guitar World | Mar 1999 | Technique | Guitar Technique | May, Brian |
 |
Wire Choir: Keep Your Riffs Alive: How I Recorded The Solo To "Keep Yourself Alive" Brian May 1 pages |
Guitar World | Feb 1999 | Technique | Guitar Technique | May, Brian |
 |
Wire Choir: Spread 'Em: Mastering Open Voice Triads Brian May 1 pages |
Guitar World | Apr 1999 | Technique | Guitar Technique | May, Brian |
 |
Wire Choir: Stolen Moments: The Solo To "Killer Queen" Explained Brian May 1 pages |
Guitar World | Jan 1999 | Technique | Guitar Technique | May, Brian |
 |
Wire Tapping: As The Groove Turns Jennifer Batten 1 pages |
Guitar Player | Nov 1991 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: Bach's "Chromatic Fantasy" Jennifer Batten 2 pages |
Guitar Player | May 1992 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: Bach's "Chromatic Fantasy", Part 2 Jennifer Batten 2 pages |
Guitar Player | Jun 1992 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: Bill And Ted's Most Excellent Etude Jennifer Batten 1 pages |
Guitar Player | Aug 1991 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: Groovebo Jennifer Batten 1 pages |
Guitar Player | Feb 1992 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: Groovebuster Jennifer Batten 1 pages |
Guitar Player | Dec 1991 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: Groovinator Jennifer Batten 1 pages |
Guitar Player | Mar 1992 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: New Age Slobber Etude Jennifer Batten 1 pages |
Guitar Player | May 1991 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: Stop! Hammer Time Jennifer Batten 2 pages |
Guitar Player | Sep 1991 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: Sustained Arpeggios Jennifer Batten 1 pages |
Guitar Player | Jun 1991 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wire Tapping: The Chordal Capo Jennifer Batten 2 pages |
Guitar Player | Apr 1991 | Technique | Guitar Technique | Batten, Jennifer |
 |
Wish You Were Here Pink Floyd 8 pages |
Guitar World | Apr 1994 | Songs | Tabulature | Pink Floyd |
 |
Working Musician: Collaboration Without Combat Michael Molenda 5 pages |
Electronic Musician | Oct 1993 | Composing | Composing | Molenda, Michael |
 |
Working Musician: Dissecting A Deal Michael A. Aczon 4 pages |
Electronic Musician | May 1995 | Music Industry | Record Contract | Aczon, Michael A. |
 |
Working Musician: Expose Yourself Lygia Ferra, Erik Hawkins 5 pages |
Electronic Musician | Sep 1999 | Music Industry | Promotion | Ferra, Lygia |
|
|
Working Musician: Expose Yourself Lygia Ferra, Erik Hawkins 5 pages |
Electronic Musician | Sep 1999 | Music Industry | Promotion | Hawkins, Erik |
 |
Working Musician: From Desktop To Disc David M. Rubin 5 pages |
Electronic Musician | Aug 1997 | Music Industry | Record Label | Rubin, David M. |
 |
Working Musician: Get Serious Mary Cosola 4 pages |
Electronic Musician | Nov 1995 | Music Industry | Project Studio | Cosola, Mary |