Article | Title | Publication | Date | Category | Tags | Author sort |
---|---|---|---|---|---|---|
Studio Sense: Tracking: How To Record Fatter, More Powerful Sounding Tracks Rob McGaughey 2 pages |
Keyboard | Aug 1999 | Recording | Studio Recording | McGaughey, Rob | |
Survival Skills For Songwriters John Braheny 6 pages |
Keyboard | Nov 1994 | Music Industry | Publishing | Braheny, John | |
Digital Home Recording: Direct Directions Craig Anderton 2 pages |
Keyboard | Mar 1998 | Recording | Studio Recording | Anderton, Craig | |
Applied Theory: Non-traditional Progressions From Traditional Materials William L. Fowler 2 pages |
Keyboard | Jun 1990 | Composing | Composing | Fowler, William L. | |
Studio Sense: Technique: Animating Tracks With The Haas Effect Michael Cooper 2 pages |
Keyboard | Sep 2000 | Recording | Studio Recording | Cooper, Michael | |
Power To The Groove Eric Turkel 6 pages |
Keyboard | Jan 1990 | Composing | Composing | Turkel, Eric | |
Drum Machine Programming: Formal Ideas For Beat Patterns Norman Weinberg 2 pages |
Keyboard | Apr 1992 | Composing | Drum Composing | Weinberg, Norman | |
Solo Piano: Entertainer Yourself Harold Danko 2 pages |
Keyboard | Mar 1999 | Technique | Keyboard Technique | Danko, Harold | |
Composing: Micro-Meddling Richard Leiter 2 pages |
Keyboard | Aug 1998 | Composing | Composing | Leiter, Richard | |
Basics: Sequencers, Part 4: Advanced Data Twiddling Jim Aikin 2 pages |
Keyboard | Jul 2000 | Recording | Studio Recording | Aikin, Jim | |
Arranging Series: Writing For Real Strings And Winds Corey L. Allen 6 pages |
Keyboard | May 1987 | Composing | Composing | Allen, Corey L. | |
Power Sequencing: Syncing Multiple Sequencers Craig Anderton 2 pages |
Keyboard | Jan 1991 | Composing | Composing | Anderton, Craig | |
Master Class: Richie Beirach On Improvisation: The Classic Path Of Jazz Reharmonization Robert L. Doerschuk 10 pages |
Keyboard | Aug 1992 | Technique | Keyboard Technique | Doerschuk, Robert L. | |
Easy Keyboards: Rock Around The Clock Larry Harms 2 pages |
Keyboard | Apr 1990 | Technique | Keyboard Technique | Harms, Larry | |
Mastering: Mixing For Better Mastering Craig Anderton 2 pages |
Keyboard | Dec 2000 | Recording | Studio Recording | Anderton, Craig | |
Studio Sense: Process: Graphic Versus Parametric EQ Mitch Gallagher 2 pages |
Keyboard | Apr 2001 | Recording | Studio Recording | Gallagher, Mitch | |
Blow Off The Record Biz Ernie Rideout 9 pages |
Keyboard | Mar 1998 | Music Industry | Record Label | Rideout, Ernie | |
Composing: Guitar For Keyboard Players: Part 1 Richard Leiter 2 pages |
Keyboard | Aug 1996 | Composing | Composing | Leiter, Richard | |
Technique: Thumb-Turn Terror Jeff Pressing 1 pages |
Keyboard | Aug 1990 | Technique | Keyboard Technique | Pressing, Jeff | |
Drum Machine Techniques: Latin-Rock Rhythms, Part 1 Billy Cobham 1 pages |
Keyboard | Mar 1985 | Composing | Drum Composing | Cobham, Billy | |
Studio Sense: Edit: Editing Vocal Tracks Rob McGaughey 3 pages |
Keyboard | Sep 1999 | Recording | Studio Recording | McGaughey, Rob | |
Studio Sense: Virtual Mixers: Components, Routing, And Effects John Krogh 2 pages |
Keyboard | Dec 2000 | Recording | Studio Recording | Krogh, John | |
Project Studio: The Art Of Mixing Craig Anderton 6 pages |
Keyboard | Mar 1998 | Recording | Studio Recording | Anderton, Craig | |
Applied Theory: Making Modes Sound More Modal, Part II William L. Fowler 1 pages |
Keyboard | Aug 1990 | Composing | Composing | Fowler, William L. | |
Mix: Setting Proper Gain Stages Michael Molenda 2 pages |
Keyboard | Oct 1998 | Recording | Studio Recording | Molenda, Michael |